China Mieville
China Mieville
China Tom Miéville FRSLis an English fantasy fiction author, comic writer and academic. He often describes his work as "weird fiction", and belongs to a loose group of writers sometimes called New Weird...
NationalityEnglish
ProfessionNovelist
Date of Birth6 September 1972
book sometimes conversation
Books are always obviously having conversations with other books, and some times they're amiable and sometimes not.
regret cowardice understood
I'd never understood the injunction not to regret anything, couldn't see how that wasn't cowardice...
love-you men animal
We speak now or I do, and others do. You've never spoken before. You will. You'll be able to say how the city is a pit and a hill and a standard and an animal that hunts and a vessel on the sea and the sea and how we are fish in it, not like the man who swims weekly with fish but the fish with which he swims, the water, the pool. I love you, you light me, warm me, you are suns. You have never spoken before.
paranoid ifs
I couldn't tell if I was perspicacious or paranoid.
memories journey cities
It had not been a long journey, but the memory of it filled her like an infection. She had felt tethered by time to the city behind her, so that the minutes stretched out taut as she moved away, and slowed the farther she got, dragging out her little voyage.
memories past stitches
Scars are memory. Like sutures. They stitch the past to me.
summer daylight moments
The summer stretched out the daylight as if on a rack. Each moment was drawn out until its anatomy collapsed. Time broke down. The day progressed in an endless sequence of dead moments.
mean reality actions-have-consequences
To take the choice of another ... to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to ... for all we individuals to have ... our choices.
book thinking important
But I do think it's important to remember that writers do not have a monopoly of wisdom on their books. They can be wrong about their own books, they can often learn about their own books.
book writing voice
Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
real thinking self
I think there's something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.
way members feels
I'll tell you, I've never particularly been a 'Trek' person. I feel about 'Trek' the way one feels about known, vaguely liked, but rather distant members of one's family.
heart dragons dungeons
In the field of fantastic fiction, the question of world-building is not uncontroversial. But I grew up with 'Dungeons and Dragons,' so that whole world-building thing is very close to my heart.