Chris Hedges
Chris Hedges
Christopher Lynn "Chris" Hedgesis an American journalist, activist, author, and Presbyterian minister. Hedges is also known as the best-selling author of several books including War Is a Force That Gives Us Meaning—a finalist for the National Book Critics Circle Award for Nonfiction—Empire of Illusion: The End of Literacy and the Triumph of Spectacle, Death of the Liberal Class, the New York Times best seller, written with cartoonist Joe Sacco, Days of Destruction, Days of Revolt, and his most recent Wages...
NationalityAmerican
ProfessionJournalist
Date of Birth18 September 1956
CountryUnited States of America
We've bought into the idea that education is about training and "success," defined monetarily, rather than learning to think critically and challenge. We should not forget that the true purpose of education is to make minds, not careers. A culture that does not grasp the vital interplay between morality and power, which mistakes management techniques for wisdom, which fails to understand that the measure of a civilization is its compassion, not its speed or ability to consume, condemns itself to death.
A democracy survives when its citizens have access to trustworthy and impartial sources of information, when it can discern lies from truth. Take this away and a democracy dies. The fusion of news and entertainment, the rise of a class of celebrity journalists on television who define reporting by their access to the famous and the powerful, the retreat by many readers into the ideological ghettos of the Internet and the ruthless drive by corporations to destroy the traditional news business are leaving us deaf, dumb and blind.
The violence of war is random. It does not make sense. And many of those who struggle with loss also struggle with the knowledge that the loss was futile and unnecessary.
The New York Times is an institution that attracts careerists, who are drawn to power and access. This gave me a kind of a free hand. The kind of work that I wanted to do, most of the other reporters didn't want to do. I was not doing lunch. I was not sucking up to officials. I was writing from the street.
I do believe that the collapse of the traditional media is catastrophic for our democracy, but I wasn't about to mythologize it. I understand its structural flaws, and the lies it tells, which are primarily, but not always, the lies of omission, and I wasn't going to leave that out. Knopf offered to publish the book but they said that an editor was going to "take out all the negativity," which, of course, I wasn't going to accept. I had been paid half my advance, and I had Nation Books buy the manuscript for that half.