Chuck Close
Chuck Close
Charles Thomas "Chuck" Closeis an American painter/artist and photographer who achieved fame as a photorealist, through his massive-scale portraits. Close often paints abstract portraits, that are shown in the world's finest galleries. Although a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors. Close lives and works in Bridgehampton, New York and Long Beach, NY and New York City's East Village. His first...
NationalityAmerican
ProfessionPhotographer
Date of Birth5 July 1940
CityMonroe, WA
CountryUnited States of America
I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
I have no intention of flattering people. I like wrinkles and crow's feet and flaws, and somebody should know, if I'm going to photograph them, that's going to show up, you know?
I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.
If you think about the way a composer would go in a room and score, let's say, the oboe's gonna play this note, the bassoon's gonna play that note, the french horn will play that note, the resultant sound, the combination of those notes makes kind of a chord, and I'm doing the same thing with color.
I don't do commissioned portraits and I don't paint college presidents. I can't imagine what kind of ego it would take to want to have a 9-foot-high picture of yourself.
Women in general interest me. I like how women are more liable to talk about real things, personal things.
Never let anyone define what you are capable of by using parameters that don’t apply to you.
A face is a road map of someone's life. Without any need to amplify that or draw attention to it, there's a great deal that's communicated about who this person is and what their life experiences have been.
While photography is the easiest medium in which to be competent, it is the hardest in which to develop an idiosyncratic personal vision.
You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
Ease is the enemy of the artist. When things get too easy, you're in trouble.
I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around.
Inspiration is highly overrated. If you sit around and wait for the clouds to part, it's not liable to ever happen. More often than not, work is salvation.