Chuck D.
Chuck D.
Carlton Douglas Ridenhour, better known by his stage name Chuck D, is an American emcee, author, and producer. As the leader of the rap group Public Enemy, he helped create politically and socially conscious hip hop music in the mid-1980s . About.com ranked him at No. 9 on their list of the Top 50 MCs of Our Time, while The Source ranked him at No. 12 on their list of the Top 50 Hip-Hop Lyricists of All Time...
ProfessionRapper
Date of Birth1 August 1960
CityQueens, NY
rap men yelling
We were coming out of the black community with this thing called rap music, which was basically black men yelling at the top of their lungs about what we liked and what we didn't like. It was disturbing to the status quo. It really shook things up. And those in power didn't know what to make of us, but they knew that we had to be silenced, stopped in any way from expressing our outrage.
teenager rap cutting
As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.
independent media space
Alternative spaces, independent media, satellite, these all provide some tools by which we can work more independently and deal more directly with communities we hope to reach. Distribution is key, and finding alternative ways to do that with new media is critical.
internet break used
The Internet is one area that I have used pretty effectively to break free of corporate control.
rap artist enemy
Public Enemy started out as a benchmark in rap music in the mid-1980s. We felt there was a need to actually progress the music and say something because we were slightly older than the demographic of rap artists at the time. It was a time of heightened rightwing politics, so the climate dictated the direction of the group.
military army people
They [US Administration] have exploited hip-hop and some of the culture around it - magazines, videos, etc. - to recruit people into the military. The Army says it will give out Hummers, platinum teeth, or whatever to those that actually join.
hip-hop corporations hips
The biggest thing that has happened to hip-hop is the clinging on to the corporation as the all-mighty hub of the music.
trying world conflict
So, rather than trying to humbly mix with the rest of the world, we are forcing ourselves upon it. We seem to create conflicts with everyone.
wall real teenager
Why would twenty-six-year-old "teenagers" care about political ramifications if their backs are not up against the wall? But if their backs are against the wall they may be plucked to fight in Iraq, and all of sudden they become politicized real quick.
optimistic three levels
I always remain optimistic. There are three levels of music production: the majors, indies, and what I call "inties," music distributed via the Internet. The Internet is one area that I have used pretty effectively to break free of corporate control.
optimistic
I always remain optimistic.
rap rap-music
Nothing has more words and performance than rap music.
media people community
As black people we were out to further our equality. I don't pay attention to the controversial connotations put on by media and the undermining labels they place on us. We pay attention to what our community situation is and what we need.
school past age
Where else can you go with respect to the work, lyrics, and message of the music? If you are past high school age, you can get by with saying very little the first or second time around. However, after a while you know you are going to have to say something beyond high school stuff.