Chuck Klosterman
Chuck Klosterman
Charles John "Chuck" Klostermanis an American author and essayist who has written books and essays focused on American popular culture. He has been a columnist for Esquire and ESPN.com and wrote "The Ethicist" column for The New York Times Magazine. Klosterman is the author of eight books including two novels and the essay collection Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto...
NationalityAmerican
ProfessionNovelist
Date of Birth5 June 1972
CountryUnited States of America
order rocks criticism
All my friends are rock critics, so we talk about rock criticism a lot. Because of that, in order to be part of the conversation, you have to have an awareness of what the discussion is.
soccer rocks fans
Soccer is like punk rock: The product is not necessarily terrible. The problem is the fan base.
cancer thinking rocks
And all I could do while I listened to this dude tell me how punk rock saved his life was think, Wow. Why did my friend waste all that time going to chemotherapy? I guess we should have just played him a bunch of shitty Black Flag records.
motivation rocks rock-and-roll
The biggest problem in rock journalism is that often the writers main motivation is to become friends with the band. Theyre not really journalists; theyre people who want to be involved in rock and roll.
reality rocks support
It might sound chauvinistic, but there is a sad reality in rock music: Bands who depend on support from females inevitably crash and burn.
rocks dinosaurs tourism
We’re all tourists, sort of. Life is tourism, sort of. As far as I’m concerned, the dinosaurs still hold the lease on this godforsaken rock.
stars rocks dying
Unless you're Shannon Hoon (of Blind Melon), dying is the only thing that guarantees a rock star will have a legacy that stretches beyond temporary relevance.
people flu faces
In the Far East, it's very normal for people to wear masks in flu season. I don't know if I'd ever do that, though, because I don't like having things on my face.
epidemics bird flu
I'm really an alarmist when it comes to epidemics. Swine flu now; when SARS was big, I was all freaked out about that, bird flu. That terrifies me.
crazy book reading
It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything. If I could, I'd completely rewrite Fargo Rock City, and every sentence would be just slightly different. In all likelihood, most of them wouldn't be any better. Some of them would just be changed back to whatever form they used to be, before I second-guessed myself the first time.
book writing thinking
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
book writing thinking
And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
book writing thinking
The amount of response I get, in both a negative and a positive context, is completely related to the amount of books I sell, I think. It seems to have nothing to do with what I'm writing, but what degree of success I'm perceived to have. It's really weird, especially since I spent so much of my life covering people who are famous. It's interesting to actually have it happen to me on some level.
writing thinking ideas
I feel like a lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.