Cillian Murphy

Cillian Murphy
Cillian Murphyis an Irish actor of stage and screen. Since making his debut in his home country in the late 1990s, Murphy has also become a presence in British and American cinema—noted by critics for his performances in a wide range of roles...
NationalityIrish
ProfessionMovie Actor
Date of Birth25 May 1976
CityDouglas, Ireland
CountryIreland
people choices actors
I don't care if people perceive me as always selling out because I'm doing a studio picture. For me, the whole thing is you should be diverse in your choices; that's the beauty of being an actor, you should be able to do that.
trying needs actors
You need to be as clean of a slate as you can be, as an actor. You have to try to be open to every experience.
years luck trying
I've had the pleasure and the great luck to work with some incredible actors over the years and you have to observe and learn and take something from it and try and become better yourself.
challenges stories hollywood
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
distance world littles
I like the little bit of distance that London affords me and I like living in a world capital. I like having the culture at my fingertips.
accents adamant
I'm pretty adamant to do an American accent because you get it immediately.
liars intelligent compassion
Sociopath is a word that has sort of become shorthand for psychopath and there's a distinct difference, it's interesting if you look it up. Sociopath if you look at the medical definition, the profile of a sociopath is that they are supremely intelligent people that are also pathological liars, they have no moral structure and there is one more, they have no compassion or empathy for other people.
nice
It's always nice to be challenged.
motivation journey men
But television affords you, what you just described, to - over the course of 18 hours, now that we're doing a third season - tell the story of this man. You're not under any obligation, really, to do massive expositional stuff at the beginning. You're at liberty to say, "Come with us on this journey," and, gradually, you become aware of what his motivations are, what drives him, what his weaknesses are, what his strengths are. That's what I think's sucking people into these worlds, because it is kind of like a novel, you just go really, really deep.
being-yourself revenge night
I guess because theater's so ephemeral and it's gone. You make this nightly contract with the audience and you redraw that contract for the next night, whereas film and television, it's forever. I suppose it's always about adopting personas, never about being yourself. I think they call it a "shy man's revenge."
butterfly play television
I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.
important age acting
Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.
moving thinking directors
I always think it's a sign of a truly gifted director when they can move seamlessly between genres.
What we do as actors is we go through phases where you superficially learn all this information.