Claude Monet

Claude Monet
Oscar-Claude Monetwas a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris...
NationalityFrench
ProfessionPainter
Date of Birth14 November 1840
CityParis, France
CountryFrance
I'm in fine fettle and fired with a desire to paint.
I am very depressed and deeply disgusted with painting. It is really a continual torture.
Work is nearly always a torture. If I could find something else I would be much happier, because I could use this other interest as a form of relaxation. Now I cannot relax.
One's better off alone, and yet there are so many things that are impossible to fathom on one's own. In fact it's a terrible business and the task is a hard one.
One's better off alone, and yet there are so many things that are impossible to fathom on one's own. In fact it's a terrible business and the task is a hard one.
My work is always better when I am alone and follow my own impressions.
If only the weather would improve, there'd be hope of some work, but every day brings rain.
I would love to do orange and lemon trees silhouetted against the blue sea, but I cannot find them the way I want them.
Apart from painting and gardening, I'm not good at anything.
For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
What can be said about a man who is interested in nothing but his painting? It's a pity if a man can only interest himself in one thing. But I can't do any thing else. I have only one interest.
Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
It goes without saying that I will do anything at any price to pull myself out of a situation like this [rejection] so that I can start work immediately on my next Salon picture and ensure that such a thing should not happen again.
A good impression is lost so quickly...