Colin Farrell
Colin Farrell
Colin James Farrell is an Irish actor. He first appeared on the BBC's TV drama Ballykissangel in 1998, made his film debut in the Tim Roth-directed drama The War Zone a year later and was discovered by Hollywood when Joel Schumacher cast him in the lead in his war drama Tigerland. He then starred in Schumacher's psychological thriller Phone Boothand the American thrillers S.W.A.T. and The Recruit, establishing his international box-office appeal. During that time, he also appeared in Steven...
NationalityIrish
ProfessionMovie Actor
Date of Birth31 May 1976
CityCastleknock, Ireland
CountryIreland
I like to go for a little drive up the California coast.
I just recently realized. It's very strange. But doing fight scenes with Kate [Beckinsale], I was little bit more cautious. You can go harder with a guy, which I don't mean as an insult.
Life is apogee, apex, decline; life is death - and everything else is open to discussion.
I have a piano in my living room that I mess around on a little bit and when I asked Len [Wiseman] if I could find a piece of music, I went through a **** load of classical music to find something that I felt had a certain urgency to it, but also with a hint of melancholia and maybe a sense of longing. I found that which is public domain and I had a piano teacher to go through it with me.
Girl trouble, for me, is when you fall in love.
I mean you can go wherever you want with it really. No matter what story you're telling you're always representing some reality. You are always representing human beings, their fears, their shortcomings, their braveries, their doubts, their loves, their abilities, their brilliance and those things inevitably lead to bigger political systems, foreign policy and crime and religion. It's an action film. We are not taking a stance about big government.
I'm not keen on cars and motorbikes. I tried to be a biker, but it wasn't me - I bought a Harley-Davidson and dumped it.
I've got plenty of love in my life already in the form of my sons and a few good friends who I value dearly.
It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.
My Mum taught me great manners. And she always told me that you can be or do whatever in life, as long as you don't hurt anyone and you're happy. My Mum's great; I adore her.
I love the grandiosity, how sweepingly entertaining films can be. And I think there's a place for films that pry more into the human condition.
I'm not painting myself as a down-home, modest guy.
Magic is at the core of myths.
My Dublin wasn't the Dublin of sing-songs, traditional music, sense of history and place and community.