Colin Trevorrow
![Colin Trevorrow](/assets/img/authors/colin-trevorrow.jpg)
Colin Trevorrow
Colin T. Trevorrowis an American film director and screenwriter, known for directing the indie film Safety Not Guaranteedand Jurassic World, the latter co-written by him...
NationalityAmerican
ProfessionDirector
Date of Birth13 September 1976
CitySan Francisco, CA
CountryUnited States of America
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I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
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Like a lot of people my age, I grew up on Amblin movies. They're a part of who I am as a filmmaker and, arguably, as a person.
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Michael Giacchino is a fiercely creative musical mind and a true 'Jurassic Park' fan.
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I feel like, on a more macro scale, there's started to be a relationship between filmmakers and people who watch their films - you know, on Twitter and on the Internet.
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I feel a lot of films that are shot digitally, even low-budget independent films, they look super slick now. Because the technology is so good that they look too good.
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I'm in a kind of weird position where I want to prove that I can do smaller movies.
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I would just encourage people: your childhood belongs to you, and don't give anyone, especially me, the power to ruin your childhood.
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I'm such a proponent of the theatrical experience and the cinematic experience, and we've reached this point where the magicians are not only giving away their tricks, but they're telling us how they're doing the tricks in advance before you even come to the magic show. It'd be nice to get a little of the mystery back in.
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I was not a kid who watched every movie. I watched a very small number of movies over and over again.
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I was re-watching 'E.T.' recently, and that scene where they're all around the pizza, bringing the pizza in, and gambling and stuff together, it's such an amazing tone, it's so rough, and nobody's really talking about anything, and it feels like you're in that room with them.
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Intimacy between humans need not be relegated to independent film. Real characters can exist no matter what the scale of a movie is.
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Where I live, in Vermont, there's this thing that women know about men, which is this disease: their childhood was so idyllic that nothing in the rest of their life can ever be satisfying. It's almost a plague.
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We've all been disappointed by new installments of the stories we love. But with all this talk of filmmakers 'ruining our childhood,' we forget that right now is someone else's childhood. This is their time. And I have to build something that can take them to the same place those earlier films took us.
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We're so surrounded by so much of this marketing and just being told on a regular basis that you have to like this, you will go here, you want this. I found that to me that fit perfectly into what a theme park of dinosaur would be about.