Conor Oberst
Conor Oberst
Conor Mullen Oberstis an American singer-songwriter best known for his work in Bright Eyes. He has also played in several other bands, including Desaparecidos, Norman Bailer, Commander Venus, Park Ave., Conor Oberst and the Mystic Valley Band, Arab Strap and Monsters of Folk. Oberst was named the Best Songwriter of 2008 by Rolling Stone magazine...
NationalityAmerican
ProfessionFolk Singer
Date of Birth15 February 1980
CityOmaha, NE
CountryUnited States of America
I always embrace the worst-case scenario.
Rastafarianism and reggae music have always kind of resonated with me. Those ideas of redemption, liberation and overcoming oppression through music, weed and community. Fighting evil through love and music, I think it's just a really powerful idea.
I believe that vinyl will outlast CDs.
I have a car in Nebraska. When I bought it, they gave me a satellite radio, and there's an 'indie-rock' station. It's just nothing I'm interested in.
I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together.
My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.
It's dangerous to buy into praise and criticism for what you do when you're trying to present your music to people. I don't ignore it completely, but I don't dwell on it too much.
Joe Arpaio needs no help from me getting attention. For years he has been a beacon of bigotry and intolerance for all the world to see. The list of human and civil-rights abuses he's committed in Maricopa County is long and well documented.
When I was younger, I was somewhat of an idealist. I guess I'm a little bit more of a realist now. I think there's a lot that can be done to make the world a better place, but it's more about choosing your battles.
When I try to explain to people the big influences in my life, or at least when I first started, the most important ones were my friends who were also writing songs and were typically four or five years older than me.
I do think that music has a special ability to get behind enemy lines and win hearts and minds.
When I run into a person or a kid that comes up and gives me the spiel about, 'Hey, I got your record at this time in my life, and it really helped me,' that stuff totally still rings true. If you're standing there talking to someone, it's really easy to tell if they're being authentic or not. And that's great.
To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.
On good days, I can see the inherent goodness in people, and that human beings have a high capacity to learn and adapt. But things like the environment, nuclear weapons and ideas like peak oil - if you think about them too much, they can really freak you out.