Cormac McCarthy
Cormac McCarthy
Cormac McCarthyis an American novelist, playwright, and screenwriter. He has written ten novels, spanning the Southern Gothic, western, and post-apocalyptic genres. He won the Pulitzer Prize and the James Tait Black Memorial Prize for Fiction for The Road. His 2005 novel No Country for Old Men was adapted as a 2007 film of the same name, which won four Academy Awards, including Best Picture. For All the Pretty Horses, he won both the U.S. National Book Award and National Book...
NationalityAmerican
ProfessionNovelist
Date of Birth20 July 1933
CityProvidence, RI
CountryUnited States of America
Men have in their minds a picture of how the world will be. How they will be in that world. The world may be many different ways for them but there is one world that will never be and that is the world they dream of.
What joins men together ... is not the sharing of bread but the sharing of enemies.
Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it that way.
The world shrinking down about a raw core of parsible entities. The names of things slowly following those things into oblivion. Colors. The names of birds. Things to eat. Finally the name of things one believed to be true. More fragile than he would have thought. How much was gone already? The sacred idiom shorn of its referents and so of its reality. Drawing down like something trying to preserve heat. In time to wink out forever.
When God made man the devil was at his elbow. A creature that can do anything. Make a machine. And a machine to make the machine. And evil that can run itself a thousand years, no need to tend it.
Men's memories are uncertain and the past that was differs little from the past that was not.
This is what the good guys do. They keep trying. They don't give up
For me the world has always been more of a puppet show. But when one looks behind the curtain and traces the strings upward he finds they terminate in the hands of yet other puppets, themselves with their own strings which trace upward in turn, and so on. In my own life I saw these strings whose origins were endless enact the deaths of great men in violence and madness. Enact the ruin of a nation.
Your god must once have stood at a dawn of infinite possibilities, and this is what he's made of it. You tell me that I want God's love? I don't. Perhaps I want forgiveness, but there's no-one to ask it of. And there's no going back, there's no setting things right, there's only the hope of nothingness.
The notion that the species can be improved in some way, that everyone could live in harmony, is a really dangerous idea. Those who are afflicted with this notion are the first ones to give up their souls, their freedom. Your desire that it be that way will enslave you and make your life vacuous.
Doomed enterprises divide lives forever into the then and now
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in a many a mudded field is unspeakable and calamitous beyond reckoning.
In the neuter austerity of that terrain all phenomena were bequeathed a strange equality and no one thing nor spider nor stone nor blade of grass could put forth claim to precedence. The very clarity of these articles belied their familiarity, for the eye predicates the whole on some feature or part and here was nothing more luminous than another and nothing more enshadowed and in the optical democracy of such landscapes all preference is made whimsical and a man and a rock become endowed with unguessed kinship.
When the shooting starts would you rather be armed or legal?