Cormac McCarthy
Cormac McCarthy
Cormac McCarthyis an American novelist, playwright, and screenwriter. He has written ten novels, spanning the Southern Gothic, western, and post-apocalyptic genres. He won the Pulitzer Prize and the James Tait Black Memorial Prize for Fiction for The Road. His 2005 novel No Country for Old Men was adapted as a 2007 film of the same name, which won four Academy Awards, including Best Picture. For All the Pretty Horses, he won both the U.S. National Book Award and National Book...
NationalityAmerican
ProfessionNovelist
Date of Birth20 July 1933
CityProvidence, RI
CountryUnited States of America
Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Where hunters and woodcutters once slept in their boots by the dying light of their thousand fires and went on, old teutonic forebears with eyes incandesced by the visionary light of a massive rapacity, wave on wave of the violent and the insane, their brains stoked with spoorless analogues of all that was, lean aryans with their abrogate Semitic chapbook reenacting the dramas and parable therein...
By early evening all the sky to the north had darkened and the spare terrain they trod had turned a neuter gray as far as the eye could see. They grouped in the road at the top of a rise and looked back. The storm front towered above them and the wind was cool on their sweating faces. They slumped bleary-eyed in their saddles and looked at one another. Shrouded in the black thunderheads the distant lightning glowed mutely like welding seen through foundry smoke. As if repairs were under way at some flawed place n the iron dark of the world.
In the neuter austerity of that terrain all phenomena were bequeathed a strange equality and no one thing nor spider nor stone nor blade of grass could put forth claim to precedence. The very clarity of these articles belied their familiarity, for the eye predicates the whole on some feature or part and here was nothing more luminous than another and nothing more enshadowed and in the optical democracy of such landscapes all preference is made whimsical and a man and a rock become endowed with unguessed kinship.
Looking over the country with those sunken eyes as if the world out there had been altered or made suspect by what he'd seen of it elsewhere. As if he might never see it right again. Or worse did see it right at last. See it as it had always been, would forever be.
She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.
They trekked out along the crescent sweep of beach, keeping to the firmer sand below the tidewrack. They stood, their clothes flapping softly. Glass floats covered with a gray crust. The bones of seabirds. At the tideline a woven mat of weeds and the ribs of fishes in their millions stretching along the shore as far as the eye could see like an isocline of death. One vast salt sepulchre. Senseless. Senseless.
The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes.
He'd half meant to speak but those eyes had altered the world forever in the space of a heartbeat.
Your god must once have stood at a dawn of infinite possibilities, and this is what he's made of it. You tell me that I want God's love? I don't. Perhaps I want forgiveness, but there's no-one to ask it of. And there's no going back, there's no setting things right, there's only the hope of nothingness.
All progressions from a higher to a lower order are marked by ruins and mystery and a residue of nameless rage.
And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.
It looks a lot better from up here than it does down there, dont it? Yes. It does. There's a lot of things look better at a distance. Yeah? I think so. I guess there are. The life you've lived, for one. Yeah. Maybe what of it you aint lived yet, too.
Goodness will find the little boy. It always has. It will again.