Daniel Alarcon
![Daniel Alarcon](/assets/img/authors/daniel-alarcon.jpg)
Daniel Alarcon
Daniel Alarcónis a Peruvian-American author who lives in San Francisco, California; he has been a Distinguished Visiting Writer at Mills College and a Visiting Writer at California College of the Arts. In Spring 2013, he was a Visiting Scholar at the UC Berkeley Investigative Reporting Program. Daniel Alarcón’s work has been published in The New Yorker, Harper's, Granta, Virginia Quarterly Review and elsewhere, and anthologized in Best American Non-Required Reading 2004 and 2005. He is Associate Editor of the Peruvian...
NationalityPeruvian
ProfessionAuthor
CountryPeru
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one.
For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
I like radio because you can do an hour-long interview and then three days later have a finished piece.
Generally, I find that when you're writing and having fun with the writing, that energy and dynamism is going to come out in the text one way or another.
I love to walk through the streets of Jesus Maria and Pueblo Libre. The Spanish colonial buildings are in bright colors, two stories high, with these intricate wooden, windowed balconies.
I'm a believer in the benefits of translation. It's a necessity and a privilege - it would be awful to be limited to reading authors who's work was composed in the languages I happen to have learned.
When I was younger, I was able to write with music playing in the background, but these days, I can't. I find it distracting. Even when the music is just instrumental or has lyrics in a language I don't understand, the clash between the voices in my head and the song can be very disorienting.