Daniel H. Wilson
Daniel H. Wilson
Daniel H. Wilsonis a New York Times best selling author, television host and robotics engineer. Wilson is a contributing editor to Popular Mechanics magazine, called the "Resident Roboticist". He currently resides in Portland, Oregon. His books include the award-winning humor titles How to Survive a Robot Uprising, Where's My Jetpack? and How to Build a Robot Army and the bestseller Robopocalypse. His most recent novel, Robogenesis was published in June 2014...
NationalityAmerican
ProfessionAuthor
Date of Birth6 March 1978
CountryUnited States of America
There are an endless number of things to discover about robotics. A lot of it is just too fantastic for people to believe.
Johannes Cabal would kill me for saying this, but he's my favorite Zeppelin-hopping detective. The fellow has got all the charm of Bond and the smarts of Holmes--without the pesky morality.
If the knowledge is spread, it cannot be stamped out.
The true knowledge is not in the things, but in finding the connections between the things.
I don't know how anybody can work at home. I know I can't. It's just... there's too much to do at the house, and now, of course, I have a daughter that's at home, and she's always a draw. I can always drop what I'm doing and go play with her, and I do that all day.
As a society, I think we express our cultural mores through our politics. We're trying constantly to figure out what's OK and what's not OK. And it's hard, because our society is constantly buffeted by gale force winds of technology. Things are always changing.
When a man resists sin on human motive only, he will not hold out long.
I wrote a query letter to an editor - a friend of a friend. The editor called me an idiot, told me never to contact an editor directly, and then recommended three literary agents he had worked with before. Laurie Fox was one of them, and I've never looked back.
I was writing a scene where a guy was choking another guy to death. You can go online and type 'chokeholds' and watch scenes where martial artists choke each other out. You can hear what noises they make when they go unconscious, see how their bodies flop and everything. YouTube is amazing for the more detailed stuff.
We are all expressions of our own minds, projected onto the world.
Without us here to witness, the universe is just pointless physics unfolding.
I absolutely believe that a lot of the issues raised in 'Amped' about technology migrating into our bodies are issues that we're really going to deal with soon.
Human reactions to robots varies by culture and changes over time. In the United States we are terrified by killer robots. In Japan people want to snuggle with killer robots.
Each new generation builds on the work of the previous one, gaining new perspective. New verbs are introduced. We Google strange and dangerous places. We tweet mindlessly to the cosmos. We Facebook our own grandmothers. I, for one, don't want to be left behind.