Danny Elfman
![Danny Elfman](/assets/img/authors/danny-elfman.jpg)
Danny Elfman
Daniel Robert "Danny" Elfman is an American composer, singer, songwriter, and record producer. From 1976 to 1995 he was the lead singer and songwriter for the band Oingo Boingo...
NationalityAmerican
ProfessionComposer
Date of Birth29 May 1953
CityLos Angeles, CA
CountryUnited States of America
drawing special mars
Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat.
wall moving ideas
It often feels like a tremendous amount of work is required to get an idea moving forward, like pushing a train uphill. But at a certain point, the thing takes on its own momentum, and takes unexpected turns. So it's that feeling of holding on, rather than pushing it, that is the most exciting thing. It's that need to occasionally bounce off the walls, letting anything happen for any reason, and having nothing to guide you that is the joy.
independent thinking play
I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often.
land four want
The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action.
kind theme hybrid
I took part of Alan Silvestri's theme on the original [movie], which I really liked, and I pulled it into it new theme, which became kind of a hybrid. I really enjoyed that.
choices undertaker
You'll never get me into a tux. Not until I'm dead and I have no choice because that's what the undertaker put me in.
american-musician bars couple exactly fill laying melody pieces
I'll just start laying out the melody exactly where I want it to fall. And then I'll go back and fill it out. Whereas, in other pieces I'm really just going a couple bars at a time.
american-musician creating rhythmic
I like creating these rhythmic patterns. These interlocking rhythmic things are really fun.
allowed american-musician closely happened score
You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier.
american-musician artificial close reason snare sound specific
Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room.
american-musician months
I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it.
american-musician finished percussion recording studio time
I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound.
american-musician knew liked projects
I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer.
american-musician catching stuff
I'm looking for a feel and I have to find what that feel is before I can move on from there. I'm not necessarily catching stuff in such a simple way - I don't need to. So, I'm going for something else.