Darren Aronofsky
Darren Aronofsky
Darren Aronofskyis an American film director, screenwriter, film producer and environmentalist. He has received acclaim for his often surreal, disturbing films and has been noted for frequent collaborations with cinematographer Matthew Libatique, film editor Andrew Weisblum and composer Clint Mansell. His films have generated controversy and are known for their often violent, bleak subject matter. "The themes in the six Aronofsky’s films from 1998 to 2014 include the search for perfection, the search for happiness, longing for love, intoxication with...
NationalityAmerican
ProfessionDirector
Date of Birth12 February 1969
CityBrooklyn, NY
CountryUnited States of America
Darren Aronofsky quotes about
It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.
I've spent a life loving women and studying them as much as I can, or am allowed to.
Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in
Animators have to live life 24 times as long as we do - every 24 frames of a second.
I'm not a comic book guy at all.
To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don't think is a good ride.
These wrestlers aren't organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There's a lot of drama there.
I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.
CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them. The way we did it, everything was actual photographed images. A lot of that stuff was shot through a microscope of chemical reactions, yeast growing, lots of weird things, by Peter Parks. We put it into a computer and collaged it, manipulated it. Meaning we digitally shaped it to fit with other images. But there was no computer-generated imagery at all.
It's not that much of a difference. Basically, your job is the same as a film director. It's a triangle between creativity, money, and time. But they don't really change. You're ultimately trying to get the most creativity and time with the money that you have.
Comic books and graphic novels are a great medium. It's incredibly underused.
I was a TV junkie as a kid. I am the Sesame Street generation.
I have a team, the same team of filmmakers I worked with on Pi and Requiem. Which is my cameraman, and my composer, and my producer. We've all worked together for a number of films.
My god is narrative filmmaking.