Dave Eggers
![Dave Eggers](/assets/img/authors/dave-eggers.jpg)
Dave Eggers
Dave Eggersis an American writer, editor, and publisher. He wrote the best-selling memoir A Heartbreaking Work of Staggering Genius. He is also the founder of McSweeney's, a literary journal; the co-founder of the literacy project 826 Valencia, and a human rights nonprofit Voice of Witness, and the founder of ScholarMatch, a program that matches donors with students needing funds for college tuition. His writing has appeared in several magazines...
NationalityAmerican
ProfessionNovelist
Date of Birth12 March 1970
CityBoston, MA
CountryUnited States of America
Yes, a dark time passed over this land, but now there is something like light.
In hospitals I feel palpable comfort. I feel the competence, the expertise, so much education and money, all of the supplies sterile, everything packaged, sealed tight. My fears evaporate when the automatic doors shush open.
GOD: I own you like I own the caves. THE OCEAN: Not a chance. No comparison. GOD: I made you. I could tame you. THE OCEAN: At one time, maybe. But not now. GOD: I will come to you, freeze you, break you. THE OCEAN: I will spread myself like wings. I am a billion tiny feathers. You have no idea what's happened to me.
Maybe he hadn't thought the war through. It had seemed like simple fun when he had first pictured it, with a glorious beginning, a difficult but valor-filled middle, and a victorious end. He hadn't accounted for the fact that there might not be much of a resolution to the battle, and he hadn't imagined what it would feel like when the war just sort of ended, without anyone admitting defeat and congratulating him for his bravery.
Recently, I've discovered Radiohead and find them to be quite good. So clearly, I'm some kind of musical retard. (Jonathan Ames, Middle-American Gothic)
But of course there's no logic to San Francisco generally, a city built with putty and pipe cleaners, rubber cement and colored construction paper. It's the work of fairies, elves, happy children with new crayons
Here is a drawing of a stapler:
He remained, weeks after awakening, in that period of early-morning consciousness that allows easy re-entry to dreaming. His limbs still tingled with the residue of sleep, and most days he wanted badly to allow it to overtake him again.
This boy thinks I am not of his species, that I am some other kind of creature, one that can be crushed under the weight of a phone book. The pain is not great, but the symbolism is disagreeable.
He wanted to fly in lightweight contraptions with her.
Loneliness is just a thing that I'm not personally interested in. So far, it hasn't been on my docket of things to write about.
I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.
I'm never a fan of the sociopathic kind of reviewing, people who are sort of self-immolating and have social problems or whatever, and let it out in literary-criticism form. I just feel like book reviewing should be respectful and calm and not filled with bile.
Who's got the Paris Review? ... It's under a new editor.