David Ayer
David Ayer
David Ayeris an American film director, producer, and screenwriter. He is best known for being the writer of Training Day, and the director and writer of Harsh Times, Street Kings, End of Watch, Sabotage, and Fury. In September 2014, Ayer was announced as both the writer and director for the DC Comics film Suicide Squad, scheduled for release on August 5, 2016...
NationalityAmerican
ProfessionScreenwriter
Date of Birth18 January 1968
CityChampaign, IL
CountryUnited States of America
It's important for me to take very famous, well-known people and not have them play themselves and not have them be seen as themselves.
When you put a movie together, you're continually screening it for yourself and you're screening it for other people. It's like a video game power meter. When the power bar starts going down, you've gotta look at what's going on.
You make a movie and it's like convincing people to go on an expedition with you. You think you know where it's going to end up, and you're hoping and guessing. But, when people trust you and get involved, based on that trust, it's a really nice feeling to be able to have everything pay off.
That's the world of policing. I've met some bad-ass female cops, who are very cool people.
The movie has to be going somewhere. Other than that, you want it to be entertaining, but people usually disagree on what entertaining is and everybody has different tastes.
To operate а tank as a crew, it's not about five individuals. It has to be one organism, composed of five people.
I'm a veteran, and I come from a family of veterans and people who served in that war. And the stories that I heard were a hell of a lot different than the movies that I was seeing, so I wanted to make a movie about the people that were really there.
Every movie is different. Every movie requires its own sort of photographic voice.
I'm a Veteran. I was in the Navy, in the submarine corps. I come from a military family. Both of my grandparents were in World War II and retired as officers. One fought in the Pacific and one fought in Europe. The whole family was in the war. I grew up exposed to it and hearing the stories, but the stories I heard weren't kind of the whole "Rah, rah, rah! We saved the world!" They were about the personal price and the emotional price.
You hear again and again that audiences want to see movies that are different and critics say we [directors] make the same thing again and again in Hollywood, then you go and make something different and you get kicked in the gut for it.
The movie on the screen is always going to be different from the movie in your head. How it makes you feel is what I'm after, what I'm chasing, and what I'm trying to construct.
The hardest thing, as a director, is that it's never right. Nothing you do is ever right. It's never exactly how you envision it. Making a movie is about making it better.
The worst part of directing is always seeing the first assembly. It's devastating. It really is. It's like going into the delivery room and you can't wait to see your baby, and it's a crocodile.
Stories of friendship are very interesting to me. Artificial families are something I like to explore. Whether it's a bunch of guys or a bunch of ladies, there's something interesting about that.