David Foster
David Foster
David Walter Foster, OC, OBC, is a Canadian musician, record producer, composer, songwriter, and arranger. He has been a producer for musicians including Alice Cooper, Christina Aguilera, Andrea Bocelli, Toni Braxton, Michael Bublé, Chicago, Natalie Cole, The Corrs, Céline Dion, Jackie Evancho, Kenny G, Josh Groban, Whitney Houston, Jennifer Lopez, Kenny Rogers, Seal, Rod Stewart, Donna Summer, Olivia Newton-John, Madonna, Barbra Streisand, and Westlife. Foster has won 16 Grammy Awards from 47 nominations. He is the chairman of Verve Records...
NationalityCanadian
ProfessionMusic Producer
Date of Birth1 November 1949
CityVictoria, Canada
CountryCanada
a large percentage of bright young men and women locate the impetus behind their career choice in the belief that they are fundamentally different from the common run of man, unique and in certain crucial ways superior, more as it were central, meaningful what else could explain the fact that they themselves have been at the exact center of all they've experienced for the whole 20 years of their conscious lives? and that they can and will make a difference in their chosen field simply by the fact of their unique and central presence to it...
The other half is to dramatize the fact that we still "are" human beings, now. Or can be.
The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the ‘Oh how banal.’
And when he came to, he was flat on his back on the beach in the freezing sand, and it was raining out of a low sky, and the tide was way out.
She had a brainy girls discomfort about her own beauty and its effects on folks.
I have always tried to avoid talking to pretty girls, because pretty girls have a vicious effect on me in which every part of my brain is shut down except for the part that says unbelievably stupid things and the part that is aware that I am saying unbelievably stupid things.
God, what a ghastly enterprise to be in, though-and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed.
When I say or write something, there are actually a whole lot of different things I am communicating. The propositional content (i.e., the verbal information I'm trying to convey) is only one part of it. Another part is stuff about me, the communicator. Everyone knows this. It's a function of the fact there are so many different well-formed ways to say the same basic thing, from e.g. "I was attacked by a bear!" to "Goddamn bear tried to kill me!" to "That ursine juggernaut did essay to sup upon my person!" and so on.
There happen to be whole large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine, and petty frustration.
Probably the most dangerous thing about college education, at least in my own case, is that it enables my tendency to over-intellectualize stuff, to get lost in abstract arguments inside my head instead of simply paying attention to what's going on right in front of me. TC mark
This is not a matter of virtue-it's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default-setting, which is to be deeply and literally self-centered, and to see and interpret everything through this lens of self.
I want to tell you,' the voice on the phone said. 'My head is filled with things to say.' ... 'I don't mind,' Hal said softly. 'I could wait forever.' 'That's what you think,' the voice said. The connection was cut.
the psychological need to believe that others take you as seriously as you take yourself. There is nothing particularly wrong with it, as psychological needs go, but yet of course we should always remember that a deep need for anything from other people makes us easy pickings.
I think it's easy to stop smoking; it's just hard not to commit a felony after you stop.