David Hare
David Hare
Sir David Hareis an English playwright, screenwriter and theatre and film director. Most notable for his stage work, Hare has also enjoyed great success with films, receiving two Academy Award nominations for Best Adapted Screenplay for writing The Hours in 2002, based on the novel written by Michael Cunningham, and The Reader in 2008, based on the novel of the same name written by Bernhard Schlink...
NationalityEnglish
ProfessionPlaywright
Date of Birth5 June 1947
writing play reason
I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
mean thinking play
[VIA DOLOROSA]'s pushing Broadway as far as it can be pushed. I stand before you as a reporter, and you have to decide whether I'm an honest reporter or not. And if you're convinced that I am honest, then I think that you will listen to me in a way that you wouldn't have listened to a fiction where scenes are made. . . . I've thought quite long and hard about what I want to say in this play. And if it means that every single sentiment that I produce is put minutely under an ideological microscope, that's fine.
play glasses crafts
Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.
play moments tease
It's inevitable that you will die, so the only question is when. The great thrillers are the moments that play and tease with the question, "When will it be?"
air attic blown english fresh harold plays political public written
Not only has Harold Pinter written some of the outstanding plays of his time, he has also blown fresh air into the musty attic of conventional English literature, by insisting that everything he does has a public and political dimension,
believe thinking play
I don't think of my plays as steamy places where people display huge amounts of emotions. The feeling is underneath, which in my experience is where most feeling is. I don't myself spend my life shouting in rooms, and I don't really believe things in which people do spend their time in total hysteria.
believe writing play
As you write plays, you discover what you believe. And until you know what you believe, you can't write a play.
life-is ends end-of-the-road
When you get older, then you feel death not at the end of the road, but death all around you, in everything. Life is saturated with death. I feel death everywhere.
winning majority dont-like-me
The majority don't like me before the curtain goes up, and I always have to win them.
cheating character killing
I never used to kill characters, because I thought killing characters was cheating.
sex writing trying
I'm trying to write something in which you know that it's all about sex but you never see any.
thinking
I actually think love changes everything. I think it's the only thing worth having.
government people theatre
I don't see the theater as an establishment. The National Theatre has always seemed to me a people's theater. It was never meant to reinforce the values of the government of the day, nor does it, nor should it.
loss thinking america
I think the novel is the American form because people read it in private, and the only valuable things that happen in America happen in private life, because public life is a dead loss.