David Mamet
David Mamet
David Alan Mametis an American playwright, essayist, screenwriter, and film director. As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Rossand Speed-the-Plow. Mamet first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His play Race opened on Broadway on December 6, 2009...
NationalityAmerican
ProfessionPlaywright
Date of Birth30 November 1947
CityChicago, IL
CountryUnited States of America
I tend to write a lot, which I think is the secret to being prolific.
Cultivate a love of skill. Learn theatrical skills. They will give you continual pleasure, self-confidence, and link you to fifty thousand years of the history of our profession.
"Based on a true story" is a come-on, the aesthetic equivalent of "no loan request refused." For, at best, the creator has fashioned a film based on his understanding of, interpretation of, and reduction of the report of an actual occurrence.
My dad was an immigrant kid and a Democrat and a Jew, and we didn't know any Republicans in our group. So I grew up Democratic. My dad was a labor lawyer - a very hardworking guy, a one-horse labor lawyer - and then I went to hippie college and lived in the bubble.
Obama is a tyrant the same way FDR was a tyrant. He has a view of presidential power that states: the government is in control of the country, and the president is in charge of the government. He's taken an imperial view of the presidency.
I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
If, indeed, a firearm were more dangerous to its possessors than to potential aggressors, would it not make sense for the government to arm all criminals, and let them accidentally shoot themselves? Is this absurd? Yes, and yet the government, of course, is arming criminals.
I pray you indulge me for a space, for I am going to set out on a speech which may have some duration, but whose theme may be gleaned from its opening phrase: how dare you.
You can't rely on the acting to tell the story.
Freud believed that our dreams sometimes recapitulate a speech, a comment we've heard or something that we've read. I always had compositions in my dreams. They would be a joke, a piece of a novel, a witticism or a piece of dialogue from a play, and I would dream them. I would actually express them line by line in the dream. Sometimes after waking up I would remember a snatch or two and write them down. There's something in me that just wants to create dialogue.
Life in the movie business is like the beginning of a new love affair: it's full of surprises, and you're constantly getting f***ed.
How can I be secure? Through amassing wealth beyond all measure? No. And what's beyond measure? That's a sickness. That's a trap. There is no measure. Only greed.
We all die in the end, but there's no reason to die in the middle.
The theatre is traditionally where people go to hear the truth.