David Remnick
David Remnick
David Remnickis an American journalist, writer, and magazine editor. He won a Pulitzer Prize in 1994 for his book Lenin's Tomb: The Last Days of the Soviet Empire. Remnick has been editor of The New Yorker magazine since 1998. He was named Editor of the Year by Advertising Age in 2000. Before joining The New Yorker, Remnick was a reporter and the Moscow correspondent for The Washington Post. He has also served on the New York Public Library's board of...
NationalityAmerican
ProfessionJournalist
Date of Birth29 October 1958
CountryUnited States of America
Clearly independent journalists - domestic journalists - run a high risk if they dare to take on serious investigative work.
There is no single field of activity, not a single institution, free of the most brutal sort of corruption. Russia has bred a world-class mafia.
Not all political prisoners are innocents.
Nature is cold, wet, hard and unforgiving.
A.J. Liebling, one of my heroes, used to say that he could write better than anyone who wrote faster, and faster than anyone who could write better. I'm one nine-hundredth as good as Liebling, but that principle may slightly apply.
I have to always remember, writing is really hard.
I understand the difference between journalism and scholarship that comes 20 years later.
Every good journalist is aware that his trade may one day go the way of phrenology-and, what's more, the population will hardly protest the extinction.
I'm interested in Russian language, culture, history... and I lived there, for four years, as a reporter for the Washington Post and have visited many times since.
I got in journalism for any number of reasons, not least because it's so much fun. Journalism should be in the business of putting pressure on power, finding out the truth, of shining a light on injustice, of, when appropriate, being amusing and entertaining - it's a complicated and varied beast, journalism.
The Communist Party apparatus was the most gigantic mafia the world has ever known.
He's an important writer for The New Yorker, in the same way Robert Benchley and S.J. Perelman were important.
I've grown up on Woody's movies and his prose,
You know what writers say about their long books: If I had another year, the book would be half as long.