David Remnick
David Remnick
David Remnickis an American journalist, writer, and magazine editor. He won a Pulitzer Prize in 1994 for his book Lenin's Tomb: The Last Days of the Soviet Empire. Remnick has been editor of The New Yorker magazine since 1998. He was named Editor of the Year by Advertising Age in 2000. Before joining The New Yorker, Remnick was a reporter and the Moscow correspondent for The Washington Post. He has also served on the New York Public Library's board of...
NationalityAmerican
ProfessionJournalist
Date of Birth29 October 1958
CountryUnited States of America
If this day means anything, it means that you are now in the contingent of the responsible. You must be kind, yes, but you must also look beyond your own house. We're depending on you for your efforts and your vision. We are depending on your eye and your imagination to identify what wrongs exist and persist, and on your hands, your backs, your efforts, to right them.
Clearly independent journalists - domestic journalists - run a high risk if they dare to take on serious investigative work.
Everybody has a cartoon of themselves. Mine is: I write very fast, and I'm ruthlessly efficient with my time.
There is no single field of activity, not a single institution, free of the most brutal sort of corruption. Russia has bred a world-class mafia.
I think dealing with the U.S. Senate is very different from dealing with the electorate.
Russian is such a tough and complex language that I am happy enough to understand everything and read most things pretty well, but, without constant practice, my speech is not what I wish it was, and I would sooner write in crayon than write a letter in Russian.
Not all political prisoners are innocents.
Nature is cold, wet, hard and unforgiving.
Capitalism in Russia has spawned far more Al Capones than Henry Fords.
I'm a journalist - I'm not Robert Caro. I have a day job, and a pretty consuming one - a joyfully consuming one.
A.J. Liebling, one of my heroes, used to say that he could write better than anyone who wrote faster, and faster than anyone who could write better. I'm one nine-hundredth as good as Liebling, but that principle may slightly apply.
I have to always remember, writing is really hard.
I understand the difference between journalism and scholarship that comes 20 years later.
Every good journalist is aware that his trade may one day go the way of phrenology-and, what's more, the population will hardly protest the extinction.