David Simon
David Simon
David Judah Simonis an American author, journalist, and a writer/producer of television series. He worked for the Baltimore Sun City Desk for twelve yearsand wrote Homicide: A Year on the Killing Streetsand co-wrote The Corner: A Year in the Life of an Inner-City Neighborhoodwith Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street, on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The...
NationalityAmerican
ProfessionScreenwriter
Date of Birth9 February 1960
CountryUnited States of America
The show is structured like a visual novel of sorts, ... And these writers understand the complexity of theme.
What writer wants to make compromises with story? Story is the only reason you're in it.
What drugs have not destroyed, the war on them has
I'm making a lot of money. I should be paying a lot more taxes. I'm not paying taxes at a rate that is even close to what people were paying under Eisenhower. Do people think America wasn't ascendant and wasn't an upwardly mobile society under Eisenhower in the '50s? Nobody was looking at the country then and thinking to themselves, "We're taxing ourselves into oblivion." Yet there isn't a politician with balls enough to tell that truth because the whole system has been muddied by the rich. It's been purchased.
We have no sense of the collective anymore in America. The response to Katrina was proof positive of that.
For a detective or street police, the only real satisfaction is the work itself; when a cop spends more and more time getting aggravated with the details, he's finished. The attitude of co-workers, the indifference of superiors, the poor quality of the equipment - all of it pales if you still love the job; all of it matters if you don't.
If I had to guess and put a name on it, I'd say that at some point, the drug war was as much a function of class and social control as it was of racism.
What drugs haven't destroyed, the war against them has
The drug war is a holocaust in slow motion.
Choices are much more practical and small when you're dealing with a real story. It's about execution, it's not about content.
Acceptance means focusing on the present while assessing the choices available to you in this moment. If there are many possibilities, make the choice that is likely to bring the most evolutionary results. If there is only one choice, take it. If there are no obvious choices, relax and accept the fact that for now, you cannot do anything.
With more than 80 percent of Americans living in metropolitan areas, there are still demagogues who want to run down the idea of multiculturalism, of urbanity, being the only future we have. We either live or die based on how we live in cities, and our society is either going to be great or not based on how we perform as creatures of the city.
Homicide is the major leagues, the center ring, the show. It always has been ... It goes beyond academic degrees, specialized training or book learning, because all the theory in the world means nothing if you can't read the street.
Unless you loosen the hold that your past has on you, your future will unfold in much the same way . . . it is time to begin writing a new script that accurately reflects the beautiful, powerful, and worthy being you are.