Deb Caletti
Deb Caletti
Deb Calettiis an American writer of young adult and adult fiction. Caletti is a National Book Award finalist, as well as the recipient of other numerous awards including PEN USA finalist award, the Washington State Book Award, and SLJ Best Book award. Caletti's books feature the Pacific Northwest, and her young adult work is popular for tackling difficult issues typically reserved for adult fiction. Her first adult fiction novel, He's Gone, was published by Random House in 2013 and was...
NationalityAmerican
ProfessionWriter
Date of Birth16 June 1963
CountryUnited States of America
It's strange, isn't it, how the idea of belonging to someone can sound so great? It can be comforting, the way it makes things decided. We like the thought of being held, until it's too tight. We like that certainty, until it means there's no way out. And we like being his, until we realize we're not ours anymore.
I've heard that people stand in bad situations because a relationship like that gets turned up by degrees. It is said that a frog will jump out of a pot of boiling water. Place him in a pot and turn it up a little at a time, and he will stay until he is boiled to death. Us frogs understand this.
A person shows signs of clutching on too fast, of being needy, of not hearing the word "no," of jealousy, of guarding you and your freedom. But the signs can be so small they skitter right past you. Sometimes they dance past, looking satiny, something you should applaud. Someone's jealousy can make you feel good. Special. But it's not even about you. It's about a hand that is already gripping. It's about their need, circling around your throat
Supposedly there's an actual, researched link between extreme creativity and mental illness, and I believe it because I've seen it with my own eyes.
I've wished for things and never really had the chance...It's time to stop dreaming and do something about it. You've got to know what you want, then...go.
Too often in my life, love has been defined as "humiliation with occasional roses".
We had lain together, skin on skin, been as close as two people could, and he was a stranger. He was that someone who you are afraid of as a child, stranger. They never told you that stranger might be someone you knew.
I began to learn the importance of lifting things up and looking underneath.
Love was also an easy word, used carelessly. Felons and creeps could offer it coated in sugar, and users could dangle it so enticingly that you wouldn't notice that it had things attached - heavy things, things like pity and need, that were weighty as anchors and iron beams and just as impossible to get out from underneath.
You could care enough to keep a secret, but you could care enough to tell one, too.
It was possible, maybe, to have facts in your mind that weren't facts at all. You could build a whole life's story on false assumptions. You could make truths out of untruths and untruths out of truths. Until you spoke them, really said them out loud or checked for sure, you may not have known which were which.
Control was just wishful thinking, and you controlled things to hedge your bets, to be safe, to guard against loss.
Maybe we all just wanted someone to believe in. That's all each of us wanted, and it should be so simple, but it never was simple.
Being needed was a handy trick. It could fill you up so full you never even noticed all the places that were empty.