Deborah Eisenberg
Deborah Eisenberg
Deborah Eisenbergis an American short-story writer, actress and teacher...
NationalityAmerican
ProfessionNovelist
Date of Birth20 November 1945
CityWinnetka, IL
CountryUnited States of America
stars dancer intuition
Her professors were astonished by her leaps of thought, by the finesse and elegance of her insights. She arrived at hypotheses by sheer intuition and with what eventually one of her mentors described as an almost alarming speed; she was like a dancer, he said, out in the cosmos springing weightlessly from star to star. Drones, merely brilliant, crawled along behind with laborious proofs that supported her assertions.
absolutely aware children extremely filled power
I think that children are acutely sensitive to injustice because they live in a world that is absolutely filled with injustice. They have very, very little power, and they are extremely aware of power relations.
children writing feelings
The world we live in has been and is being increasingly politicized so that our daily experience is more and more a matter of public policy. A lot of fiction comes out of a child's feeling of, "Hey, that's not fair."
sacrifice long experts
I’m a bit of an expert on anger, having suffered from it all through my youth, when I was both brunt and font. It’s certainly the most miserable state to be in but it’s also tremendously gratifying, really—rage feels justified. And it’s an excellent substitute for action. Why would you want to sacrifice rage to go about the long, difficult, dreary business of making something more tolerable?
art thinking opposites
Art is inherently subversive. It’s destabilizing. It undermines what you already know and what you already think. It is the opposite of propaganda.
change thinking one-day
Everything seemed to change on that one day, but really, I think, things had been changing and changing over the course of many previous days, and perhaps what eventually appears to be information always appears at first to be just flotsam, meaningless fragments, until enough flotsam accretes to manifest, when one notices it, a construction.
make-me-angry angry
Everything makes me angry, unless it makes me sad.
feelings persons
I'm a person with virtually no feelings.
writing holy stills
I always thought of writing as holy. I still do. It’s not something to be approached casually.
running people our-family
It's broadening. You meet people in your family you'd never happen to run into otherwise.
writing horror triviality
When one writes, there’s the double horror of discovering not only what it is that one so fears but also the triviality of that fear.
friendship people finding-yourself
time is as adhesive as love, and the more time you spend with someone the greater the likelihood of finding yourself with a permanent sort of thing to deal with that people casually refer to as 'friendship,' as if that were the end of the matter.
looks lines way
Every moment is all the things that have happened before and all the things that are going to happen, and...the way all those things look at one point on their way along a line.
essence giving tasks
The task is not primarily to have a story, but to penetrate the story, to discard the elements of it that are merely shell, or husk, that give apparent form to the story, but actually obscure the essence. In other words, the problem is to transcend the givens of a narrative.