Douglas Coupland
Douglas Coupland
Douglas Coupland OC OBCis a Canadian novelist and artist. His fiction is complemented by recognized works in design and visual art arising from his early formal training. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized terms such as "McJob" and "Generation X". He has published thirteen novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. A specific feature of Coupland's novels...
NationalityCanadian
ProfessionAuthor
Date of Birth30 December 1961
CountryCanada
Headwise, I always kind of knew that everyone goes grey in our family very early - and I was like, it works for me. I started growing my beard, and it changes the shape of your skull and your face, and I started seeing my mother's side of the family in myself for the first time.
I worship teachers. They can't be paid enough. It depresses me that society sees them as somehow expendable.
The neighborhood I grew up in had this fence that surrounds the watershed. And if you go on the other side of that fence, there's nothing until the North Pole and down to Siberia. It's the absolute cutoff point between man and nature.
Everyone should have a tailor. David Wilkes, the guy who does my stuff, is like, 'Well you're a writer - do you want a special pen compartment or something?' Bespoke: That's the term you want to get out there.
Whatever happened to books? Suddenly everybody's talking about these 100-hour movies called 'Breaking Bad'. People are talking about TV the same way they used to talk about novels back in the 1980s. I like to think I hang out with some pretty smart people, but all they talk about is 'Breaking Bad.'
In Canada, we're happy to provide a safe haven for next-door neighbors in the middle of a marital dispute. And if anyone trips while crossing the border, we're happy to set their broken bones for free.
Who wants to talk on the phone? If you want to talk to me, text me. Or if we must, let's meet in person.
I decided at 40 I was wasting entire chunks of my brain and didn't want to blow my one chance on Earth. I'm glad I made that decision. Writing is largely about time, while visual art is largely about space. Sometimes, as with film, you can hybridize, but I think it's basically the space part of my brain wanting equal footing with the time part.
Vancouver is the square root of negative one. Technically it shouldn't exist, but it does. I can't imagine living anywhere else.
I was always the youngest person in class, skinny, scrawny, no good at sports. I asserted myself by being smart. But then I got to college and started to get C's and D's. That was fantastic. I no longer had to be the smartest person in the room.
There used to be a tradition of the loveable rogue who would steal from the honour boxes in churches and buy a round of drinks with the money he snagged. And everyone would find him tremendously good company. But not any more.
Forget sex or politics or religion, loneliness is the subject that clears out a room.
I've always felt like an alien trapped in a human form. We all do at some time or other; for me it's a permanent state, and I'm still unsure if Earth is a penance or a reward.
Given the infinite number of coincidences that could happen, very few ever actually do. The universe exists in a coincidence-hating state of anti-fluke.