Douglas Coupland
Douglas Coupland
Douglas Coupland OC OBCis a Canadian novelist and artist. His fiction is complemented by recognized works in design and visual art arising from his early formal training. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized terms such as "McJob" and "Generation X". He has published thirteen novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. A specific feature of Coupland's novels...
NationalityCanadian
ProfessionAuthor
Date of Birth30 December 1961
CountryCanada
My father has never once asked me a question, any question. There's a freedom that came from that. It allowed me to create my own way of thinking.
I keep vampire hours, going to bed at 2 A.M. and waking up at about 10:30-11 A.M.
I miss the reference section at the library. I used to go there twice a week on missions. Now everywhere's a research library and I can't get an elitist kick from it any more.
As a form of escapism, yearning for the 20th century is understandable, but in practice it would be horrible - sort of like going on a holiday promising yourself you could go without the Internet, only to crumble and walk in a daze to the local Internet cafe to gorge on connectivity.
The Internet has destroyed irony in the world, or at least wounded it considerably. What are we to do about an invention whose end result is that starving people in China are looking up things on marthastewart.com?
I miss the silliness of the Nineties. What would society be like if 9/11 never happened? If that silliness was extended forever?
I like being surrounded by good ideas. Every single time you walk past something you like, you get a blast of happy chemicals to the brain, and I like that.
The way we experience history and time in all its forms shifted quite massively between 1989 and 2001 - to the point where contrivances like decades are now kind of silly.
I've had maybe 20 jobs, big and small, and I've never hated any of them. At the same time, the moment the learning curve flattened, I was out of there.
By your thirties, you should be doing whatever it is you're supposed to be doing with your life and just get on with it - which is what I suppose happened with me as much as to anyone else.
It's fun to sentimentalize the 20th-century lifestyle and the 20th-century brain, but it helps nobody, it makes you look ancient, there's no going back, and you'd be miserable if you did.
It also allows you to look as though you're not particularly from the present, future or past, either.
After many decades of cultural saturation, kits themselves have begun to feed themselves back into the constructed world -- to the point where it's hard to tell where their influence begins and ends.
If you write fiction, you have to love your characters. It's like your family. You don't have to like them, but you have to love them.