Douglas Coupland
Douglas Coupland
Douglas Coupland OC OBCis a Canadian novelist and artist. His fiction is complemented by recognized works in design and visual art arising from his early formal training. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized terms such as "McJob" and "Generation X". He has published thirteen novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. A specific feature of Coupland's novels...
NationalityCanadian
ProfessionAuthor
Date of Birth30 December 1961
CountryCanada
I think as a species we're not designed to be able to think more than one year into the future - if that. Even trying to imagine one year from now makes most people feel like they've been given a huge boring chunk of homework that's too hard to do.
I think half the people who get married now have met online. If I think about all the people in my life who married - they met online, online, online. And it makes sense if you think about it, because you fill out this form of 35 things that really define you and - bam - look, you've got two people who match. It works.
It also allows you to look as though you're not particularly from the present, future or past, either.
My question about luging is, How do you get into the luge community to begin with? Is it one day like, 'Mom, Dad, I really want to luge.' And your parents are like: 'O.K., I'll quit my job. We'll move to an Alpine community.'
The advent of cellphones may, in the end, be no more relevant than the ability of laptops to change our written documents into ones using cool new fonts.
If you have a great idea, you should be able to communicate it as well. It's like the sound of one hand clapping. You have a great idea but aren't able to express it - well, how great was the idea?
I've become a day writer: most people start as night writers, and I used to be, but something happened to my endocrine system. I do miss the 3 A.M. writing jags.
I will say that my days are spent solitary and somewhat lost in thought, and every single time I inadvertently wear my shirt inside out in public, I bump into my sister-in-law at the grocery store.
I think Americans are weirdly puritanistic about psychopharmaceuticals. There are millions of people out there who would otherwise be dead or rocking by themselves in a corner who now lead full and normal lives because of amazing and wonderful scientific advances.
I don't know how anyone gets anything done in cities. How can you live somewhere like London or New York, when there are 81 things to do every night? Awful. Give me solitude and space any time.
Games I do find interesting for what they say about us, about what we wish for, about the programming. But let it stop there: don't listen to this rubbish about them actually being good for you, helping with hand-eye co-ordination or whatever. They're games. They prepare you for nothing.
Art was always my main focus; I fell into writing by accident in the 1980s, writing magazine articles to pay for my studio. I have to put myself into the position of writing; sometimes it doesn't work, and sometimes it works great.
Money is more than a massively consensual IOU note. It is a piece of infrastructure and is as artificial as Interstate 5, NutraSweet or season three of 'Mad Men.'
I'm not patient - and I'm getting more impatient as I get older - but I am disciplined about writing, and I want that on my tombstone: 'He wasn't patient, but he was disciplined.'