Dylan Moran

Dylan Moran
Dylan William Moran is an Irish comedian, writer, actor and filmmaker. He is best known for his sardonic observational comedy, the UK television sitcom Black Booksand his work with Simon Pegg in Shaun of the Dead and Run Fatboy Run. He appeared as one of the two lead characters in the Irish black comedy titled A Film with Me in It in 2008...
NationalityIrish
ProfessionComedian
Date of Birth3 November 1971
CityLondon, England
CountryIreland
You're talking to a modern, nice, affable German person and they're saying to you something like 'You know, vell, it's a critical time now for Germany within Europe, also globally, economically ve are pretty good, ve have been better. But ve are very vibrant in the theater and arts...' and all the time you'll be listening to this, you're thinking Mmm, yeah, mmm... Hitler, Hitler, Hitler, Hitler, Hitler...
I'm quite a compulsive person-I only worked this out recently-I'm compulsive, but I'm also very indecisive. I don't know what I want, but I know that I want it now.
Religion is the yeast of death cakes. It is the most awful agent on a vulnerable mind. It's the refuge of alienated and lonely people. It's what people had before television. It yokes people together into an imaginary world. It is just people talking to their imaginary friends, at length. I wouldn't mind, but some of the people are world leaders.
Don't do it! Stay away from your potential. You'll mess it up, it's potential, leave it. Anyway, it's like your bank balance - you always have a lot less than you think.
You've a very important, early decision to make in your life: are you going to be alone, or are you going to be with somebody else? Are you going to be sane, or not lonely? A couple is a strange thing; it's an organism that's half as intelligent as the most intelligent member. And you both know who it is.
I think you should, yeah. You should wash your beard, then shave it off, nail it to a Frisbee and fling it over a rainbow.
Oh how I hate you. I hate you so much it gives me energy. I have to get up early in the morning just to hate you, because there's not enough time in the day! Please GO AWAY!
The measure of a conversation is how much mutual recognition there is in it; how much shared there is in it. If you're talking about what's in your own head, or without thought to what people looking and listening will feel, you might as well be in a room talking to yourself.
I used to live with two other guys. We used to cook two things. The first one was called 'cheese... thing' and that was where you get something and you melt cheese over it and the first one to guess what it is doesn't have to wash up. That's obviously quite Mediterranean; the other one was less complex. It was just called 'cheese fantasy.' That's where you come in, very drunk, at about five in the morning and find an apple and just pretend there's some cheese on it.
My drive to put myself on the line comes from boredom. From that feeling when you go to bed and think, 'What did I do today?' It doesn't have to be something monumental, just a feeling that you really tried to look at something, or look into something.
Irish people give big hellos and very little goodbyes. Unless they're female, and then they spend five hours talking in the doorway to the person that's leaving their house.
I grew up in a house where there was lots of teasing and language play and laughter; it was very important. When I was a teenager, you wouldn't go to a bar and find lots of televisions everywhere. People were talking. Talk was the mental fire you would gather around in the evening. It occupied a big part of your existence.
EGGS! They're not a food, they belong in no group! They're just farts clothed in substance!
A lot of the fiction I read growing up was post-war American, and not all of it centers on Manhattan, but around people of the Mad Men generation, people like John Cheever and, in more modern times, Don DeLillo, who I always mention.