E. M. Forster
![E. M. Forster](/assets/img/authors/e-m-forster.jpg)
E. M. Forster
Edward Morgan Forster OM CHwas an English novelist, short story writer, essayist and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect ... ". His 1908 novel, A Room with a View, is his most optimistic work, while A Passage to Indiabrought him his greatest success. He was...
NationalityEnglish
ProfessionNovelist
Date of Birth1 January 1879
Reformers who are obsessed with purity and cannot see that their obsession is impure.
This element of surprise or mystery - the detective element as it is sometimes rather emptily called - is of great importance in a plot. It occurs through a suspension of the time-sequence; a mystery is a pocket in time, and it occurs crudely, as in "Why did the queen die?" and more subtly in half-explained gestures and words, the true meaning of which only dawns pages ahead. Mystery is essential to plot, and cannot be appreciated without intelligence. ... To appreciate a mystery, part of the mind must be left behind, brooding, while the other part goes marching on.
Humility is a quality for which I have only a limited admiration. In many phases of life it is a great mistake and degenerates into defensiveness or hypocrisy.
Live in fragments no longer. Only connect...
Paganism is infectious, more infectious than diphtheria or piety.
Roger Fry is painting me. It is too like me at present, but he is confident he will be able to alter that. Post-Impressionism is at present confined to my lower lip... and to my chin.
It is the function of the novelist to reveal the hidden life at its source: to tell us more about Queen Victoria than could be known, and thus to produce a character who is not the Queen Victoria of history.
A novel is based on evidence, + or -x, the unknown quantity being the temperament of the novelist, and the unknown quantity always modifies the effect of the evidence, and sometimes transforms it entirely.
I know by experience that the poets are right: love is eternal.
Freedom does not guarantee masterpieces.
Are not beauty and delicacy the same?
Do we find happiness so often that we should turn it off the box when it happens to sit there?
I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult.
There's enough sorrow in the world, isn't there, without trying to invent it.