Eddie Redmayne
Eddie Redmayne
Edward John David "Eddie" Redmayne, OBEis an English actor, model and singer. Born and raised in the City of Westminster, Redmayne studied history of art at the Trinity College, Cambridge, after which he briefly dabbled with a modelling career. Redmayne began his professional acting career as a youth in London theatre before making his screen debut in 1998 with guest appearances on television. His first film roles came in 2006 with Like Minds and The Good Shepherd, and he went...
NationalityEnglish
ProfessionMovie Actor
Date of Birth6 January 1982
CityLondon, England
If I do a film and have to get naked, that tends to dictate how often I go to the gym. Acting in 'Richard II' on stage was a huge physical workout, so I ended up more toned than I normally am.
On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.
It can be a miserable profession, acting, because you always want what you can't have.
It's the weird thing Eton does - you're at school next to lords and earls and, in my case, Prince William, so you end up being used to dealing with those sorts of people.
If you're an English actor and turn up in America, they don't have an opinion about where you sit. They have no idea what auditions to send you to, so they send you to everything.
I do get stopped a bit now and then, but I can go to the supermarket and on the Tube without being noticed. It's usually me that gets starstruck, especially by TV stars.
Ladies and babies, and mortgages, for that matter, can all wait. Acting has done a strange thing to me, though. I often sit there, thinking, 'I love this, but I wouldn't put my daughter on the stage.'
I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.
Two years ago, I shot 'Pillars of the Earth' in Budapest - it was a big part, but I had a lot of time to sit around and visit cafes.
A lot of people think theatre must be much harder work than film, but anything histrionic or superfluous gets seen on camera so you have to work to distil it into a complete sense of what's true.
As a runner on a film, you are the lowest of the low, and yet you have incredible access to everyone. I can totally imagine that for actors in the middle of a Hollywood bubble, all they really want is a sense of normality, and that gopher can be a tap for that.
I'm fully aware that I am a lucky, lucky man. This Oscar belongs to all of those people around the world battling ALS. It belongs to one exceptional family, and I will be it's custodian and I promise you that I will polish him, and wait on him hand and foot.
They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
In England we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.