Edgar Allan Poe
Edgar Allan Poe
Edgar Allan Poewas an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and American literature as a whole, and he was one of the country's earliest practitioners of the short story. Poe is generally considered the inventor of the detective fiction genre and is further credited with contributing to the...
NationalityAmerican
ProfessionPoet
Date of Birth19 January 1809
CityBoston, MA
CountryUnited States of America
The word "Verse" is used here as the term most convenient for expressing, and without pedantry, all that is involved in the consideration of rhythm, rhyme, meter, and versification... the subject is exceedingly simple; one tenth of it, possibly may be called ethical; nine tenths, however, appertains to the mathematics.
The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
I have before suggested that a genuine blackguard is never without a pocket-handkerchief.
True! - nervous - very, very nervous I had been and am; but why will you say that I am mad?
Sound-- That stealeth ever on the ear of him Who, musing, gazeth on the distance dim, And sees the darkness coming as a cloud-- Is not its form--its voice--most palpable and loud?
A gentleman with a pug nose is a contradiction in terms.
And because our reason violently deters us from the brink, therefore, do we the more impetuously approach it. There is no passion in nature so demoniacally impatient, as that of him, who shuddering upon the edge of a precipice, thus meditates a plunge. To indulge for a moment, in any attempt at thought, is to be inevitably lost; for reflection but urges us to forbear, and therefore it is, I say, that we cannot. If there be no friendly arm to check us, or if we fail in a sudden effort to prostrate ourselves backward from the abyss, we plunge, and are destroyed.
The most 'popular,' the most 'successful' writers among us (for a brief period, at least) are, 99 times out of a hundred, persons of mere effrontery-in a word, busy-bodies, toadies, quacks.
I might refer at once, if necessary, to a hundred well authenticated instances. One of very remarkable character, and of which the circumstances may be fresh in the memory of some of my readers, occurred, not very long ago, in the neighboring city of Baltimore, where it occasioned a painful, intense, and widely extended excitement.
And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revelers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.
Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells, From the bells, bells, bells.
How much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.
As an individual, I myself feel impelled to fancy ... a limitless succession of Universes.... Each exists, apart and independently, in the bosom of its proper and particular God.