Edgar Winter
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Edgar Winter
Edgar Holland Winteris an American rock and blues musician. He is known for being a multi-instrumentalist — keyboardist, guitarist, saxophonist and percussionist — as well as a singer. His success peaked in the 1970s with his band, The Edgar Winter Group, and their popular songs "Frankenstein" and "Free Ride"...
NationalityAmerican
ProfessionGuitarist
Date of Birth28 December 1946
CityBeaumont, TX
CountryUnited States of America
This year's Hippiefest tour is truly a 'Classic Rock 'n Blues Tour' - a landmark, historic, musical celebration of which my band and I are proud to be a part. It's going to be a Guitar Guru Gala of Gargantuan proportions. For me personally, it will simply be the Greatest! So, see you at one of the dates on the tour. Believe me, this is not one you want to miss. All I can say is Get Ready To Rock'n'Roll!!!
I used to go to these old tent revivals and listen to the gospel singers. If you think rock and roll is energetic, it pales in comparison to a Pentecostal tent revival.
I've always had a great love of music since childhood. It changes every day.. every time you write, it's a new experience. It's a self expression.
There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.
The mountain is high, the valley is low, and you're confused on which way to go. So I've come here to give you a hand, and lead you into the promised land. So, come on and take a free ride, come on and sit here by my side, come on and take a free ride!
When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.
When I did it with Johnny, it was almost a telepathic kind of communication.
I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
I just want to thank all my fans for their loyalty and support-for coming out to the shows and buying the CDs.
I really had little interest in becoming famous. When I write my book, it will be my guide to avoid becoming a rock star.
I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.
There's just no telling what I'll do. But I can say for certain I will continue to play, record, and put out music.
There is a real formula to writing music, verse, chorus, verse, chorus, bridge. It's very formulaic. The subject matter that you can address in pop music is somewhat restricted. It just doesn't allow that same emotive quality that you can put into poetry.