Edmund White
Edmund White
Edmund Valentine White IIIis an American novelist, memoirist, and an essayist on literary and social topics. Much of his writing is on the theme of same-sex love. Probably his best-known books are The Joy of Gay Sexand his trio of autobiographic novels, A Boy's Own Story, The Beautiful Room Is Emptyand The Farewell Symphony...
NationalityAmerican
ProfessionNovelist
Date of Birth13 January 1940
CountryUnited States of America
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I think it's really interesting to talk about Foucault in one chapter and smelling poop in the basement in the next. It seems to me that life is just that complicated.
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Paradoxically, since gay men rarely have gay parents, cultural transmission must come from friends or strangers (a problem since the generations so seldom mix in gay life).
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I think I could be a cook. Everybody always says I'm good, though I think it's quite gruelling as a profession.
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I think I'm very stoic. Death and dying are things that I'm used to.
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I was always ambitious - not to make money: to be published.
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While writing 'City Boy,' I relied mainly on my own memories. In particular, I was able to describe the effect of gay liberation on an individual life (mine) as events paralleled my own growing self-acceptance; in this case, the political truly was the personal.
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My mother was terribly invasive, all in the name of psychiatric honesty. It was a bad thing in some ways, but I do think it had the effect of making me interested in 'the truth' as a writer - more than beauty, more than having a shapely story.
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I was too prissy, too refined, too abstemious, too French to be a good American writer.
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Why did mainstream America come to accept marriage equality? Gay leaders had made a convincing case that gay families were like straight families and should have the same rights. The American spirit of fair play had been invoked.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
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Since, in the best Southern tradition, I was named Edmund Valentine White III, sometimes when people look up my books on Amazon they find 'Chocolate Drops from the South' by my grandfather.
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Key West is the place where your sickly house plant back in New York grows to 10 ft. It's also the place where an 8-ft. cactus, the century plant, produces a huge yellow flower every great once in a while, like a robot proffering a bouquet. After the plant flowers, it dies.
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I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist.
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Everyone seems agreed that writing about sex is perilous, partly because it threatens to swamp highly individualised characters in a generic, featureless activity (much like coffee-cup dialogue, during which everyone sounds the same), and partly because it feels... tacky.