Edmund White
Edmund White
Edmund Valentine White IIIis an American novelist, memoirist, and an essayist on literary and social topics. Much of his writing is on the theme of same-sex love. Probably his best-known books are The Joy of Gay Sexand his trio of autobiographic novels, A Boy's Own Story, The Beautiful Room Is Emptyand The Farewell Symphony...
NationalityAmerican
ProfessionNovelist
Date of Birth13 January 1940
CountryUnited States of America
america childhood culture
I felt if I went chronologically, I'd get bogged down in childhood and that's part of our culture of complaint in America. This endless wailing about your childhood.
imagination people admission
The imagination is not the consolation people pretend. It can even be regarded as the admission of some sort of failure.
hate gay men
Dreadful is a poignant biography of a forgotten man who drank himself to death. It's a brilliant evocation of a self-hating gay novelist in the 1940s whom Gore Vidal once considered a rival.
dream irrelevance shadow
I saw literature as a fantasy, no less absorbing for all its irrelevance - a parallel life, as dreams shadow waking but never intersect it.
song crazy luxury
Recognizing that the world is governed by a minority, the sexually active, and that they hold sway of a huge majority of the nonsexual, those people too young or too old or too poor or too homely or sick or crazy or powerless to be able to afford sexual partners (or the luxury of systematic, sustained and shared introspection, so sexual in its own way). All advertisements and films and songs are addressed to sexuals, to their rash whims and finicky tastes.
men order vagueness
Perhaps I became so vague, so exhilarated with vagueness, precisely in order to forestall a recognition of the final term of the syllogism that begins: If one man loves another he is a homosexual; I love a man...
winning might able
The notion that I might have been able to court friends, win attention, conjure it, would have spoiled it for me. Unbidden love was what I wanted.
memories thinking roots
In our imaginations the adults of our childhood remain extreme, essential - we might say radical since they are the roots that fed luxuriant later systems. Those first bohemians, for instance, stay operatic in memory even though were we to meet them today - well, what would we think, we who've elaborated our eccentricities with a patience, a professionalism they never knew?
clothes leisure absurd
All his leisure clothes were absurd - jokes, really - as though leisure itself had to be ridiculed.
communication understanding desire
Perhaps we'd understood each other too well to be attracted to one another. There were no occlusions in communication, those breaks in understanding that awaken desire.
years ideas views
Being up on something is a way of dismissing it. To espouse any point of view is a danger - it might leave us stuck with last year's cause. Prized for their novelty alone, ideas, gimmicks, trends become equivalent, interchangeable.
sex loneliness ethical-issues
I am, I must confess, suspicious of those who denounce others for having too much sex. At what point does a healthy amount become too much? There are, of course, those who suffer because their desire for sex has become compulsive; in their case the drive (loneliness, guilt) is at fault, not the activity as such. When morality is discussed I invariably discover, halfway into the conversation, that what is meant are not the great ethical questions but the rather dreary business of sexual habit, which to my mind is an aesthetic rather than an ethical issue.
school past italian
The school was nothing but reminiscence - of an Italian hill town, a French abbey, an English academy, the different sources improbably but convincingly melded into a fantasy about the classic sites of Europe as imagined by exiles from cold peripheral lands, nostalgia about somebody else's past.