Edvard Munch
Edvard Munch
Edvard Munch; 12 December 1863 – 23 January 1944) was a Norwegian painter and printmaker whose intensely evocative treatment of psychological themes built upon some of the main tenets of late 19th-century Symbolism and greatly influenced German Expressionism in the early 20th century. One of his most well-known works is The Scream of 1893...
NationalityNorwegian
ProfessionPainter
Date of Birth12 December 1863
CityAdalsbruk, Norway
CountryNorway
Edvard Munch quotes about
The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color
Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
Oil-painting is a developed technique. Why go backwards?
Photography is an art which touches and grips one's own heart's blood.
Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.
I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
The camera will never compete with the brush and palette until such time as photography can be taken to Heaven or Hell.
The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.
It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
The Academies of Art are nothing but great painting factories - those with talent are fed in at one end, and they come out as mechanical painting machines.
I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.