Edward Norton

Edward Norton
Edward Harrison Nortonis an American actor, filmmaker and activist. He has been nominated for three Academy Awards for his work in the films Primal Fear, American History Xand Birdman. He also starred in other roles, such as Everyone Says I Love You, The People vs. Larry Flynt, Fight Club, Red Dragon, 25th Hour, Kingdom of Heaven, The Illusionist, Moonrise Kingdomand The Grand Budapest Hotel. He has also directed and co-written films, including his directorial debut, Keeping the Faith. He has...
NationalityAmerican
ProfessionMovie Actor
Date of Birth18 August 1969
CountryUnited States of America
On the downside, to paraphrase Thom Yorke talking about the music business, we're still having to deal with the stench of the last fart of the dying corpse of this regressive vision that America is a white, middle-aged, male, conservative country.
This place [USA] is exploding with young people who are - they're like Nietzsche's hammer - going to break everything and make something better. The creative energy in this country, and what people are coming up with is very hopeful.
There is a lot of interesting product coming to market already. Bags and bottles and cups and such made of potato starch and other fully biodegradable materials. In some sense, plastic is more chemically complex. We ought to be able to simplify.
As an actor, if you step to the side and you look at [Thornton's performance] technically, and you try to imagine doing what he was doing, most people would panic. Most people would be on the set, and they would be panicking, going, "I'm not doing anything!" All the ham instincts in you would be screaming, "You've got to indicate something here." And it's beautiful, in a way. And so I appreciate, even as an audience member, the courage that it takes to be... frankly, to be subtle.
I'm pretty busy in my life and I'm very aware of what it takes to direct a movie. It takes a lot out of you; it takes a lot out of the rest of your life, from other people in your life. I don't lie around hungering for that consumption very often.
I start to get fixated on a story and a character and an idea, and at a certain point, I really want to do it. It's a compulsion to explore a specific thing, as opposed to a compulsion to direct, generally speaking.
I've already spent a lot of my life doing what makes me go. There's a life out there while I'm still young, able to move, able to just sit at peace in the water - I should be spending much more time doing that, rather than continuing to go through this artistic struggle.
In a very philosophic sense I think doing the work is itself a good thing. But at the end of the day, since we're taking other people's shekels to do it, and their work is being able to make a return out of it, it forces you to consider the fact that you're doing it for other people. The whole construct is built around the assumption that it's going to get shared, and that someone else is going to find value in it - entertainment, catharsis, enlightenment, or whatever.
The thing I'm absolutely convinced of, no matter how crazy - technological the world is getting, is that people feel more connected through the good works. Entertainment, and the sort of soporific effect it has on people and their stress, is one thing.
But work that's got real substance does make people feel, "There's someone else out there who relates to my experience, or who just helped me understand my own experience a little bit better." And I think that's still got enormous value.
But at the same time, the film industry just got torched. The risk tolerance for the types of movies we're talking about is lower, and the reason for that is that the captains of the industry were asleep at the switch when their core business was being disrupted. And they're never getting it back. In a way, it makes it all the more exciting when the good ones get through.
I started, with three friends, this website called Crowdrise that's sort of the Facebook for personal philanthropy, a place where anybody can have a permanent microsite of their own to stage creative fundraising projects for the charities and causes that they care about. And we did it with serious intent but without any ambition.
Making really great music, making really great films, writing great books is an antidote to all of that. And, as people, as artists, some of the massive disruption that technology is causing is so exciting, the way that people can share creativity now.
There are tens of thousands of charities and hundreds of thousands, getting towards millions, of people now using it. And when I flip through it, I'm just blown away by people.