Edward Norton
Edward Norton
Edward Harrison Nortonis an American actor, filmmaker and activist. He has been nominated for three Academy Awards for his work in the films Primal Fear, American History Xand Birdman. He also starred in other roles, such as Everyone Says I Love You, The People vs. Larry Flynt, Fight Club, Red Dragon, 25th Hour, Kingdom of Heaven, The Illusionist, Moonrise Kingdomand The Grand Budapest Hotel. He has also directed and co-written films, including his directorial debut, Keeping the Faith. He has...
NationalityAmerican
ProfessionMovie Actor
Date of Birth18 August 1969
CountryUnited States of America
Edward Norton quotes about
It's dismaying to see the unilateralism that the government is doing.
I do find myself drawn more to pieces that I feel are wrestling with the way that we're living now, what we're all going through.
All people are paradoxical. No one is easily reducible, so I like characters who have contradictory impulses or shades of ambiguity. It's fun, and it's fun because it's hard.
In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.
When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want.
I've observed over and over that people seem to get a much deeper sense of fulfillment out of something they've done as an act of service than out of the things they do for themselves.
I just like working with smart people.
Every little thing that people know about you as a person impedes your ability to achieve that kind of terrific suspension of disbelief that happens when an audience goes with an actor and character he's playing.
Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
It's ginned up by the corporate plutocracy as a way of distracting the working-class people that it's screwing. We hamstring our own natural progressivism in this country, and that's really stupid.
I grow tired of intelligence having such a limited manifestation in movies - "intelligence" usually meaning coastal, with a certain level of formal education.
On the downside, to paraphrase Thom Yorke talking about the music business, we're still having to deal with the stench of the last fart of the dying corpse of this regressive vision that America is a white, middle-aged, male, conservative country.