Edward Norton
Edward Norton
Edward Harrison Nortonis an American actor, filmmaker and activist. He has been nominated for three Academy Awards for his work in the films Primal Fear, American History Xand Birdman. He also starred in other roles, such as Everyone Says I Love You, The People vs. Larry Flynt, Fight Club, Red Dragon, 25th Hour, Kingdom of Heaven, The Illusionist, Moonrise Kingdomand The Grand Budapest Hotel. He has also directed and co-written films, including his directorial debut, Keeping the Faith. He has...
NationalityAmerican
ProfessionMovie Actor
Date of Birth18 August 1969
CountryUnited States of America
I think technology is having a democratising effect on film.
There are things you do for the fun of doing them or to work or to hang with certain people. But the projects that I've invested myself in and cared about most deeply have absolutely been activated by a desire to chase something that I relate to, or that I see as having the potential to speak to someone else directly.
We must realize that nature is absolutely essential for our survival, and we must act on that premise now.
Even my wife and two of my children are in "Leaves of Grass". Because I love the source material so much, it was really easy to write and an utter delight to get to direct because I had people like Edward [Norton] elevating the material and surprising me in their interpretations of all of this stuff that's so close to me.
Most of the movies that I've made that I really felt good about and cared about made very little money anyway, so I'm not particularly worried about people downloading and sharing them.
I've already spent a lot of my life doing what makes me go. There's a life out there while I'm still young, able to move, able to just sit at peace in the water - I should be spending much more time doing that, rather than continuing to go through this artistic struggle.
If there's a criteria that really gets me interested in a work besides any type of personal interaction with the theme, it's if I feel like this is the right piece of work for that director at that moment in their career.
I don't tend to say it's time for one of this or that genre. Things flow to you in a strange way, and why you bump into a certain kind of thing in one moment is...it's hard to explain.
It's better for people to miss you than to have seen too much of you.
Making really great music, making really great films, writing great books is an antidote to all of that. And, as people, as artists, some of the massive disruption that technology is causing is so exciting, the way that people can share creativity now.
Young people know how to use these social networking tools, and they know how to use them effectively.
I've been friends with the guys in Radiohead for a lot of years, and I watch the way those guys work with incredible envy. Because whatever the slings and arrows of dealing with the record business, at the end of the day, they have total creative autonomy. They don't need a lot to do what they do, and Thom [Yorke] and Jonny [Greenwood] and the guys have their own joint in their hometown.
Identical twins are endemically alike in many ways.
People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of very banal movies.