Elizabeth Strout
![Elizabeth Strout](/assets/img/authors/elizabeth-strout.jpg)
Elizabeth Strout
Elizabeth Stroutis an American novelist, academic, and short story writer. She won the Pulitzer Prize for Fiction for Olive Kitteridge, a collection of connected short stories about a woman and her immediate family and friends on the coast of Maine. The book has been adapted into an HBO miniseries that won six awards at the 2015 Primetime Emmy Awards...
NationalityAmerican
ProfessionNovelist
Date of Birth6 January 1956
CityPortland, ME
CountryUnited States of America
It’s just that I’m the kind of person,' Rebecca continued, 'that thinks if you took a map of the whole world and put a pin in it for every person, there wouldn’t be a pin for me.
People like to think the younger generation's job is to steer the world to hell. But it's never true, is it? They're hopeful and good - and that's how it should be.
In case you haven't noticed, people get hard-hearted against the people they hurt. Because they can't stand it. Literally. To think we did that to someone. I did that. So we think of all the reasons why it's okay we did whatever we did.
Olive's private view is that life depends on what she thinks of as "big bursts" and "little bursts." Big bursts are things like marriage or children, intimacies that keep you afloat, but these big bursts hold dangerous, unseen currents. Which is why you need the little bursts as well: a friendly clerk at Bradlee's, let's say, or the waitress at Dunkin' Donuts who knows how you like your coffee. Tricky business, really.
In a way, I'm very interested in writing about Maine, because I think Maine represents its own kind of history. It's the oldest state, and it's the whitest state.
You have family", Bob said. "You have a wife who hates you. Kids who are furious with you. A brother and sister who make you insane. And a nephew who used to be kind of a drip but apparently is not so much of a drip now. That's called family".
I do reread, kind of obsessively, partly for the surprise of how the same book reads at a different point in life, and partly to have the sense of returning to an old friend.
The evenings grew longer; kitchen windows stayed open after dinner and peepers could be heard in the marsh. Isabelle, stepping out to sweep her porch steps, felt absolutely certain that some wonderful change was arriving in her life. The strength of this belief was puzzling; what she was feeling, she decided, was really the presence of God.
But what could you do? Only keep going. People kept going; they had been doing it for thousands of years. You took the kindness offered, letting it seep as far in as it could go, and the remaining dark crevices you carried around with you, knowing that over time they might change into something almost bearable.
Back and forth she went each morning by the river, spring arriving once again; foolish, foolish spring, breaking open its tiny buds, and what she couldn’t stand was how—for many years, really—she had been made happy by such a thing. She had not thought she would ever become immune to the beauty of the physical world, but there you were. The river sparkled with the sun that rose, enough that she needed her sunglasses.
And yet, standing behind her son, waiting for the traffic light change, she remembered how in the midst of it all there had been a time when she'd felt a loneliness so deep that once, not so many years ago, having a cavity filled, the dentist's gentle turning of her chin with his soft fingers had felt to her like a tender kindness of almost excruciating depth, and she had swallowed with a groan of longing, tears springing to her eyes.
Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it.
All these lives," she said. "All the stories we never know." (125)
She didn't like to be alone. Even more, she didn't like being with people. (148)