Elliott Erwitt
Elliott Erwitt
Elliott Erwittis an advertising and documentary photographer known for his black and white candid shots of ironic and absurd situations within everyday settings— a master of Henri Cartier-Bresson's "decisive moment"...
NationalityFrench
ProfessionPhotographer
Date of Birth26 July 1928
CountryFrance
leica requirements cameras
I don't really have a favorite camera. I use a Leica and Canon a lot. It depends, especially professionally, on the requirements. But my carry-around camera is a Leica.
photography morning differences
I see no difference between my pictures that people consider amusing and the rest. To me, it's all serious work - they're just a reaction to what I see. I don't leave this apartment in the morning and say to myself 'Today I'm going to be funny and tomorrow I'm going to be sad.'
photography hands car
There's no great mystique to photography. A lot of photographers like to put their hands up to their forehead and tell you how they've suffered and so forth. Well, I just rent a car and drive to the place and take the pictures.
visuals
A visual sense is something you either have or you don't.
photography study
You don't study photography, you do it
photography school simple
Making pictures is a very simple act. There is no great secret in photography...schools are a bunch of crap. You just need practice and application of what you've learned. My absolute conviction is that if you are working reasonably well the only important thing is to keep shooting...it doesn't matter whether you are making money or not. Keep working, because as you go through the process of working things begin to happen.
serious
I am serious about not being serious
photography ifs
If you keep your cool, you'll get everything.
photography quality ease
Somehow Photoshop and the ease with which one can produce an image has degraded the quality of photography in general.
photography thinking cameras
The thing is that when you don't carry a camera, that's when you see pictures in particular, or at least that's when you think you see pictures in particular. When you do carry it, if you do see one on the occasion that you do, you can take it.
photography care academic
It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture.
photographer curious persons
If you're not a curious person, you're certainly not going to be a good photographer.
photography drawing giving
The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
responsibility guarantees-that luck
If you've got no responsibility and don't have to generate a certain amount of cash each month, and can live on a shoestring, and are ambitious enough, then you might have a chance. You can be dedicated but that is no guarantee that you'll make it. I rely on a hunch, a little luck, and some cunning.