Ezra Pound
Ezra Pound
Ezra Weston Loomis Poundwas an expatriate American poet and critic, and a major figure in the early modernist movement. His contribution to poetry began with his development of Imagism, a movement derived from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language. His best-known works include Ripostes, Hugh Selwyn Mauberleyand the unfinished 120-section epic, The Cantos...
NationalityAmerican
ProfessionPoet
Date of Birth30 October 1885
CityHailey, ID
CountryUnited States of America
To break the pentameter, that was the first heave
With one day's reading a man may have the key in his hands.
All great art is born of the metropolis.
Great literature is simply language charged with meaning to the utmost possible degree.
No teacher has ever failed from ignorance. That is empiric professional knowledge. Teachers fail because they cannot `handle the class.' Real education must ultimately be limited to men how INSIST on knowing, the rest is mere sheep-herding.
It is better to present one image in a lifetime than to produce voluminous work. Image...that which presents an intellectual and emotional complex in an instant of time.
A people that grows accustomed to sloppy writing is a people in the process of losing grip on its empire and on itself.
Until you know who has lent what to whom, you know nothing whatever of politics, you know nothing whatever of history, you know nothing of international wrangles.
The artist is always beginning.
It is more than likely that the brain itself is, in origin and development, only a sort of great clot of genital fluid held in suspense or reserved. This hypothesis would explain the enormous content of the brain as a maker or presenter of images.
I think an alliance with Stalin's Russia is rotten.
It doesn't matter which leg of your table you make first, so long as the table has four legs and will stand up solidly when you have finished it.
Use no word that under stress of emotion you could not actually say.
The difference between a gun and a tree is a difference of tempo. The tree explodes every spring.