FKA twigs

FKA twigs
Tahliah Debrett Barnett, known by the stage name FKA Twigs, is an English singer, songwriter, record producer, director and dancer. She became a backup dancer after moving to London when she was 17 years old. Barnett first entered the music industry with the release of her extended plays EP1and EP2. Her debut studio album LP1and third extended play M3LL155Xwere released to critical acclaim, the first of which peaked at number 16 on the UK Albums Chart and number 30 on...
NationalityBritish
ProfessionPop Singer
Date of Birth16 January 1988
CityGloucestershire, England
Being a gal, people can be a bit patronizing. 'Oh, look at you using the computer.' They would never say that to a boy. And I don't let them do it to me.
Half of my life, I've had people staring at me because they think I'm funny-looking and ugly. The other half of my life, I've had people staring at me because they think I'm fascinating. Everything neutralises. It's more of a statement on society and how weird it is.
I don't know any Beatles songs. My dad never listened to Elvis or Sting or Bowie. Any band name that's on a t-shirt, I probably won't know their music, like AC/DC or whatever. I don't know what that is. As a kid, I would sing along to artists like Tania Maria.
I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
I spent my whole teenage life trying to get to London and go to dance school, but when I got there, I couldn't wait to get to the clubs on weekends. I knew I wanted to make music.
I was always the poor kid, even though I very much tried to pretend to be the other way. Always well presented. Always really active in the school, doing fashion shows, plays, involved in every single aspect of the school. Overcompensating, I think, for the fact that I knew I wouldn't be going on the ski trip every January.
I'm a country girl. The more big cities I go to, the more fashionistas and designers I meet who want to dress me, the more I have all these kind of superficial but amazing experiences, the more I just realize that I'm from Gloucestershire.
I'm a strange person - I don't really get rewards out of how many hits I have on YouTube. I love it, and I'm grateful, and it's important to me. But does it equal peace within me? No, it doesn't.
I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'
I've soaked up so much through dancing, but I also have to be still. I want to be silent and read, to shut up and take time to respect the vision someone put into a book.
It's really easy to project this whole ideology of what being an artiste is, and I'm just not down with intellectualizing it. I just think, if you feel like doing something, then do it.
Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.
Twigs has been my nickname for years, and I guess a lot of people close to me called me Twigs, like, as a nickname. Before I even did dancing properly or anything, like, substantially creative, I was still Twigs.
When I was younger, I had conversations with friends about wanting to create something different. Every young musician probably thinks that. But it's difficult to do, because there are only so many words, notes, melodies, songs. But as soon as I stopped thinking and started feeling, it worked. I didn't realize it till I was done.