George Saunders
George Saunders
George Saundersis an American writer of short stories, essays, novellas and children's books. His writing has appeared in The New Yorker, Harper's, McSweeney's and GQ. He also contributed a weekly column, American Psyche, to the weekend magazine of The Guardian until October 2008...
NationalityAmerican
ProfessionNovelist
Date of Birth2 December 1958
CityAmarillo, TX
CountryUnited States of America
technology phones interesting
I've noticed that nowadays I'm doing a lot of stuff on the phone and on the computer, which I usually wouldn't do earlier. And I can feel my brain being rewired: I'm getting anxious, I'm getting more manic. Now, I'm an extreme case because I'm old and I'm overdoing it. But still, it's really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
daughter jobs stupid
For me, the fiction writer's job is to take the small, stupid process of learning to use an iPhone - and suddenly you're the guy who's asking your daughter, "When I go on Facebook, can it see me?"
fun thinking opposites
I always cheerfully say, "Well, you know, the species is adapting, and whatever it needs to do, it'll do," but I do think it's maybe a little bit alarming. Everybody knows that one thing we really have to do is to be more wherever we are, more present, that's just kind of a commonplace. And the whole mobile phone thing is completely 100% the opposite - to never be where you are because you can always be somewhere else; and yet it's so fun and addictive.
doors long fiction
Fiction is open to whoever comes in the door, as long as you come in energetically.
giving feelings trying
There's also a way that you have of being precise but also allusive, that works well for me - it's something about the open-hearted way you frame your queries. Instead of feeling daunted or discouraged, I feel excited to give whatever it is a try. This takes a lot of editorial wisdom and confidence - to know just how to get the writer to take that extra chance.
art writing frustration
I'm not sure I would call it agony but there is a kind of cyclic frustration. You get one story right and then here comes another one. When does that end? What I'm trying to do is get it to end right now, by recognizing that that cycle is writing. That is: trying to understand the frustrations and setbacks (and agony) as part of a bigger chess game you are playing with art itself.
writing normal energetic
I've always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
interesting feels persons
I feel that there is nothing that can happen to a person that is banal. Everything that happens to us is interesting.
risk sides chicago
I grew up in Chicago on the South Side, and had a ton of freedom, just did whatever I wanted, whenever I wanted. At the risk of sounding dopey, I would say it was blissful.
writing doe looks
That's what a story must feel like to me. It's not, "I want to write about a gravedigger." But you're walking along and - boop! shovel. "Ok, what does one do with a shovel? Digs a hole. Why? I don't know yet. Dig the hole! Oh, look a body."
writing ideas challenges
I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.
heart writing hey
A writer writes what interests him and what he can manage, and what he can make live, as Flannery O'Connor said. So my reaction to someone saying "You must!" or "You should!" or even "Hey, why don't you?" is basically to sort of shrug and politely walk off and do whatever I want to do. It's nobody else's business, really, and even if I happened to agree with one of those "musts" or "shoulds" what would I do about it, if my heart wasn't in it?
light action humans
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
feelings way stories
I love the feeling of being on the hunt - the feeling that the story is refusing to be solved in some lesser way and is insisting that you see it on its highest terms.