George Will
George Will
George Frederick Willis an American newspaper columnist and political commentator. He is a Pulitzer Prize–winner known for his conservative commentary on politics. In 1986, The Wall Street Journal called him "perhaps the most powerful journalist in America," in a league with Walter Lippmann...
ProfessionJournalist
Date of Birth4 May 1941
sexy long interesting
For me the most interesting thing about Leigh Bowery was the way he used his body as a style statement. He was a big guy, but, because he was tall and had long legs, he looked in proportion - even sexy - -despite being overweight by conventional -standards.
song drug musical
What happened during the previews of Taboo [ musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that . . ." It was really looking at the music and it was really complimentary. It was a huge thing.
book character guy
I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
suicide doors hunger-strike
Leigh [ Bowery] would make up stories about people committing suicide or going on hunger strikes because they were refused entry at the door.
clubs way different
I suppose all of those New Romantic clubs were quite up their own asses in a way. Well, Taboo was up its own ass in a different way, but not in terms of rules.
makeup blue ideas
The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.
laughing records kind
Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] - things that you probably shouldn't like.
exercise way records
I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.
dressing-up dancing hip-hop
The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules. You had Jeffrey Hinton playing every kind of music. It was like going back to when I used to deejay at Planet in '79, where you'd mix in nutty things like hip-hop or reggae or The Sound of Music [1965] or other film soundtracks - whatever.
art special fabric
Leigh Bowery was actually quoted as saying, "Flesh is my most favorite fabric." I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.
media clubs inches
Leigh [Bowery ] obviously loved having me in the club because I would attract media, and he loved and lived for his column inches.
stars doors names
Leigh [ Bowery] would create fake guest lists and put the most ridiculous names on them - Joan Collins, or really naff soap stars who would never grace the door of Taboo.
track trying broadway
I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.
karma chameleon comes-and-goes
Karma chameleon: we come and go, we come and go...