Greg Graffin
Greg Graffin
Gregory Walter Graffinis an American punk rock singer-songwriter, multi-instrumentalist, college lecturer, and author. He is most recognized as the lead vocalist, songwriter, and only constant member of the noted Los Angeles band Bad Religion, which he co-founded in 1979. He also embarked on a solo career in 1997, when he released the album American Lesion. His follow-up album, Cold as the Clay was released nine years later. Graffin obtained his PhD at Cornell University and has lectured courses in life...
NationalityAmerican
ProfessionMusician
Date of Birth6 November 1964
CountryUnited States of America
The thrill of science is the process. It's a social process. It's a process of collective discovery. It's debate, it's experimentation and it's verification of claims that might be false. It's the greatest foundation for a society.
Ideologically, the pursuit of science is not that different from the ideology that goes into punk rock. The idea of challenging authority is consistent with what I have been taught as a scientist.
When I was a teenager, science meshed with my developing ideals - such as the challenge to authority that was central to punk rock. In science, anyone from any walk of life could make a discovery that would overturn prevailing hypotheses. And that was a cause for celebration among scientists.
Unfortunately, science cannot be reduced to short, catchy phrases. And if this is all that the general public can comprehend, it's no wonder that we spend so much of our time in the interminable debate about belief in God, or lack thereof.
One of the things that all religions have is a narrative of doomsday. There has to be some kind of overarching fear of the future. If there wasn't, none of the religions could invoke this important thing - that science has no evidence of, by the way - called free will.
Science is the first expression of punk, because it doesn't advance without challenging authority. It doesn't make progress without tearing down what was there before and building upon the structure.
In the 1970s, we had Carl Sagan, and he was so suave with his turtleneck and his tweed jacket. And he was, you know, he made science look cool. And in punk rock, we haven't had that. We haven't had the Carl Sagan of punk.
I've known a lot of people who were punkers who went on to get academic degrees. Very few of them, however, continued their active role in the punk community. Most of them hung up their leather jacket when they did so.
I think English punk died in '79 or '80. Maybe '82 at the latest. As far as American punk goes, it wasn't the same as English punk. It wasn't a working-class movement that was protesting the conditions under which this class had to work. I don't think American punk ever died.
I got interested in palaeontology and vertebrate history - sparked by books on human evolution - then vertebrate evolution. Studying with palaeontologists kindled my interest in fieldwork.
I was never raised with the traditional story of creation in religion, and because of that I think I had a lot of questions. And evolution, the evolutionary narrative, helped provide some of that for me.
Academic scientists aren't generally interested in books for the public. So when one comes out, the authors can't expect much praise from scientists. My goal both as a singer and an instructor is to educate through provocation and entertainment.
The trick is: how do you talk about natural selection without implying the rigidity of law? We use it as almost an active participant, almost like a god. In fact, you could substitute the word 'god' for 'natural selection' in a lot of evolutionary writings and you'd think you were listening to a theologian.
I grew up playing football since the day I could walk; some of my greatest memories of childhood are playing touch football in all kinds of weather with my best friends. That's a part of the American experience that no corporation can destroy.