Herbie Hancock
Herbie Hancock
Herbert Jeffrey "Herbie" Hancockis an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. He was one of the first jazz musicians to embrace synthesizers and funk music. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success...
NationalityAmerican
ProfessionPianist
Date of Birth12 April 1940
CityChicago, IL
CountryUnited States of America
I was a jazz purist at the time, I had tunnel vision about jazz and classical music,
Jazz is a music that translates the moment into a sense of inspiration for not only the musicians but for the listeners.
Well, I was becoming more of a jazz snob, in thinking that jazz was a higher kind of music, and that R&B was, yes, for the body and more commercial.
One of the most important functions of jazz has been to encourage a hope for freedom, for people living in situations of intolerance or struggle.
It pulled me like a magnet, jazz did, because it was a way that I could express myself.
I brought my 40 years of jazz experience to the table, ... but I wanted to make something more ambitious than a little box.
I am still a jazz musician and not a pop star in terms of money and so I have to take care of my family first, then my extended family and my country.
We wanted to share creativity and didn't want to be bound by traditional jazz conventions.
Both men and women have masculine and feminine elements. We've just been concentrating on the masculine elements in jazz coming out for too long. It's time for feminine elements to emerge.
As the 1960s began, jazz music was still at an apex, with hard bop groups led by the likes of Miles Davis and John Coltrane remaining a force on the musical landscape.
Most people think that classical music is a higher form than jazz only because it is from Europe, and we were taught in schools only about Western European history.
Even during the major avant-garde period of jazz in the late '60s and early '70s, the songs usually had melodies, some harmonic starting-off point, or something to unify a particular piece in the beginning.
Although my parents were playing jazz for me when I was a kid, I didn't pay much attention until I saw someone my age improvising, playing jazz..
So the ideas is not to shut out jazz - but it is very inclusive, which is great - because jazz is also an inclusive music.