Ice Cube
Ice Cube
O'Shea Jackson Sr., known by his stage name Ice Cube, is an American rapper, songwriter, actor, record producer and filmmaker. He began his career as a member of the hip-hop group C.I.A. and later joined the seminal rap group N.W.A. After leaving N.W.A in December 1989, he built a successful solo career in music and films. Additionally, he has served as one of the producers of the Showtime television series Barbershop and the TBS series Are We There Yet?, both...
NationalityAmerican
ProfessionRapper
Date of Birth15 June 1969
CityLos Angeles, CA
CountryUnited States of America
It was just funny to me that some of our leaders would take that much time and energy to dismiss something that was loved by so many of our people,
We wanted to be true to what a barbershop is, so every headline we could grab between the first 'Barbershop' and the second was in there,
Today I didn't even have to even use my A.K ! I got to say it was a good day
I love Godzilla, but my favorite was on this TV Show, Johnny Sokko and His Flying Robot. I used to love the idea of having a giant robot under my control. That was like a dream come true for a kid.
I think that my "Let's get it done! Let's have fun! Let's make a great movie!" attitude helped. I rarely have problems on my movies with egos and attitudes.
Everybody who comes from the gangster life - they want what that man in the suburbs wants. Nice family. Nice house. Nice cars. Bills paid. Kids in school. Food on the table. Nothing more.
What I learned from architectural drafting is that everything has to have a plan to work. You just can't wing it. I can't get all the materials I need for a house and just start building. Whether it's a career, family, life - you have to plan it out.
Our records, if you have a dark sense of humor, were funny, but our records weren't about comedy. They were about protests, fantasy, confrontation and all that.
Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
When I was in N.W.A. and didn't get paid all the money I was owed, that's when the business side of showbiz hit me. I thought, "Half of this is workin'. I'm famous, but now I need to be famous with some money." That got my brain started at trying to figure out the business end. And once I figured out the business side, I next came to understand that success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters.
My thing is: stay creative. And just because somebody starts to pay you, that don't mean all your creativity goes to that, and you don't save none for yourself to be able to do other, bigger and better things and still follow your dreams even if you start off inside of a box.
You don't have to spend $200 million or $100 million to make a great movie.
Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."
The best thing to do is to write about what you know, and if you write about what you know you can always pull those nice little tidbits that hook people, that shows that you know about this world and can bring people into a world that they may not know nothing about.