Ismail Kadare
![Ismail Kadare](/assets/img/authors/unknown.jpg)
Ismail Kadare
Ismail Kadareis an Albanian novelist and poet. He has been a leading literary figure in Albania since the 1960s. He focused on short stories until the publication of his first novel, The General of the Dead Army. In 1996, he became a lifetime member of the Academy of Moral and Political Sciences of France...
NationalityAlbanian
ProfessionNovelist
Date of Birth28 January 1936
CountryAlbania
days-like-this envy mind
Not a single thought managed to take shape in her mind: for the likeness of this day to the last seemed to her the clearest proof that it would be another quite useless day, a day she would gladly have done without. For a moment she thought that a day like this would be pointless for anyone on earth, then abruptly changed her mind as she realised that thousands of women, after a hard week's work, or a family quarrel, or even just after catching a cold, would envy her just for having the leisure to rest in comfort.
different would-be
And everything would be different, different.
adversary lived natural time tyrannical view
In general, literature is a natural adversary of totalitarianism. Tyrannical governments all view literature in the same way: as their enemy. I lived for a long time in a totalitarian state, and I know firsthand that horror.
dream freedom normal serious work writer writers
If you are a serious writer or just a normal one, in one way or another, you are writing in the service of freedom. All writers know, understand, or dream that their work will be in the service of freedom.
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The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania.
authentic centuries change covers creates creation hours human laws life literary mean natural suits technique three writer
The laws of literary creation are unique; they don't change, and they are the same for everyone everywhere. I mean that you can tell a story that covers three hours of human life or three centuries - it comes to the same thing. Each writer who creates something authentic in a natural way instinctively also creates the technique that suits him.
anywhere cannot deny greek past percent spiritual theatre treasures
We cannot deny that 80 or even 90 percent of the spiritual treasures from the past 3,000 years have come from Europe. There is no other Greek theatre anywhere else in the world. There is no other Shakespeare, Dante or Cervantes.