James Cromwell
James Cromwell
James Oliver Cromwellis an American actor and producer. Some of his more notable films include Babe, Star Trek: First Contact, L.A. Confidential, The Green Mile, Space Cowboys, The Sum of All Fears, I, Robot, and The Artist, as well as the television series Six Feet Under, 24, American Horror Story: Asylum, and Halt and Catch Fire...
NationalityAmerican
ProfessionMovie Actor
Date of Birth27 January 1940
CityLos Angeles, CA
CountryUnited States of America
What happens when you're naked is that people get that you're really just a human being. There are parts of it that are pretty appalling, and there are parts that are okay. That's what it looks like. If you can embrace and accept what people look like in the altogether, it's not so difficult to accept them with their clothes on.
Usually, I'm the kind of actor where you show me once or twice, I can do it. I don't do it creatively, but I know how to do the process.
First lead [in a movie] requires a different approach like trying not to give it all away in the first scene. It is a skill, a learned skill.
You don't just one day say, 'That's it, I'm doing this, I'm going to throw all my shoes out and I'm not eating honey and I won't drive my car because there are animal bones in the tires' because you'd drive yourself around the bend.
The kids know me from 'Babe,' but usually it is 'L.A. Confidential' that people remember, which was the second film I did. I have worked with some really good people and the films that I've done for the most part have been good.
I prefer to have playback, but sometimes, you can't have that under most circumstances. First, it is expensive because you need a playback operator and secondly, it threatens a lot of directors. I only watch my performance. I see what is necessary for me so that I can see it right at the moment and I can fix it. That appeals to me a great deal.
I play an 89-year-old man whose wife has Alzheimer's in a movie called 'Still.' I play a World War II veteran, I acted with my son and it's called 'Memorial Day.'
When I did 'Babe' I wanted to talk about animal rights without going through some convoluted justifications about using animal products.
The risks of transporting deadly nuclear waste, the environmental justice impacts and the long-term health effects of both these projects are untenable...We cannot afford to be silent on these important issues.
Once a film is shot, the thing that mostly happens is that I go see all the things I would have fixed in my performance and sometimes, very rarely, I see a moment that surprise me and I go, "Oh, that's not bad. That was nice."
I started in theatre. I was at Cleveland and I went to London for the 400th anniversary of Shakespeare's birth.
The attitude we have towards our personal pets as opposed to the animals that suffer under the factory farm is hypocritical and delusional.
Until men learn to celebrate and operate on the feminine aspect of themselves and stop the oppression of women, children, the environment, other species, we don't have a world to live in. It's not a world that anyone chooses to live in.
Anybody can call me Jamie, and you have to watch it when you call me James. Then there's going to be a problem.